Devil's Den, nr Fyfield, Wiltshire. Reported 12th August.

Map Ref: SU149695

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A precise astronomical solution for Devil’s Den of August 12, 2012:  

36 days from a new Moon on August 17 until an autumn equinox on September 22. On that day, seven “triangles of shadow and light” will appear on the northern staircase of a step pyramid at Chichen Itza, built in the memory of Kukulcan (or Quetzalcoatl).  

There will be a new Moon on August 17 at 1554 UT, a first-quarter Moon on August 24 at 1354, a full Moon on August 31 at 1358, a last-quarter Moon on September 8 at 1315, another new Moon on September 16 at 0211, then an autumn equinox on September 22 at 1445 UT. If we count the differences of days or hours, we find (7 + 7 + 8 + 7 + 7) = 36 days in total.  

The precise timing of those astronomical events matches closely a “7-7-7-8-7 stairway pattern” shown in crops at Devil’s Den on August 12. Indeed, on the autumn equinox of September 22, 2012, seven “triangles of shadow and light” will appear on the northern stairway of the Pyramid of Kukulcan at Chichen Itza (see chichen kukulcan).  

The Devil’s Den crop picture clearly shows part of a “Mayan step pyramid”, with several “triangles of light and shadow” drawn below. Yet only five steps and five triangles were drawn in crops, not the actual nine steps and seven triangles. Perhaps these changes were made to match a five-step Pyramid of the Sun? Or to match five different units of time from the Mayan Long Count calendar?  

In summary, the peculiar “7-7-7-8-7” pattern of numbers shown at Devil’s Den certainly does not suggest a “mistake”. It follows from the precise timing of astronomical events cited above. Several illustrative slides will follow. 

A Mayan lunar calendar known as the “Tun’Uc”  

The ancient Mayans kept a lunar-phase calendar known as the “Tun’Uc”. It counted 28 days per month, subdivided into four smaller parts of seven days each. Those four smaller parts match the four phases of our Moon as “new, first-quarter, full, last-quarter”. The Tun’Uc seems related to a calendar of 7-8-7-7-7 days drawn in crops at Devil’s Den (see www.authenticmaya.com ). 

Here also is an excellent video which shows light-and-shadow effects on the autumn equinox, at a famous Mayan step-pyramid in Chichen Itza (see www.youtube.com).

Red Collie (Dr. Horace R. Drew)


Image Jay Goldner Copyright 2012


 

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Miguel Etchepare



Devil’s Den: The Square and Future Deal 

The very intriguing crop SQUARE at Devil’s Den, nr Fyfield, Wiltshire reported August 12 grabbed my attention as something I must further investigate, if only because it reminded me immediately of a dream I had seven years ago. The fact that it may be a hoax is not relevant, since the meaning is both available and useful. 

The primary form within which the unfolding of this crop formation occurs is the square, symbol of Earth as opposed to Heaven or the created universe as opposed to the Creator. It symbolizes stability and, generally, the status quo as opposed to movement and change. The square in every day life is emblematic of down-to-earth honesty and truth, as is demonstrated in the sayings: foursquare, square deal, square shooter, on the square, etc., implying trustworthiness. So in the case of the crop square at Devil’s Den, we are being told that within solid material reality, Earth, and in our perceived notion of matter, there is something going on. 

The five semi-formed cubes (or what I call teeth because of my dream association) in the formation could be representative of humanity in transition. Since five stands for the centre, and harmony between the principles of Heaven (2) and the Earth Mother (3), as well as being a symbol of the human being, perhaps this is a diagram of how Humanity becomes more conscious of its role in the workings of the Universe. Five “also stands for the phenomenal world in its entirety--the five senses and the forms of matter amenable to sense-perception.” (Chevalier 385)  

 

Four Directions of Creation in the Medicine wheel; five senses superimposed on the four square reality 

Enter the wonderful zigzag design across the middle of the square dividing two very different textured spaces. The zigzag is an ancient symbol for water and, doubled, it is known as the symbol for the zodiac sign, Aquarius, which is what is significant for us in this formation. This common design is also used these days as a symbol for “the idea of heat, energy, vitality, and movement, the archetypal sign for lightning or electricity.” (Nozedar xvii) As opposed to the softened wavy line of the serpent symbol, the sharp lines and edges of the zigzag imply danger related to that energy. The idea of resistance also comes into play here, as the zigzag is a sign for resistance in electrical contexts. 

 

Water symbol for Aquarius, an air sign; the resistance signs in electrical signage

Both depict energy in matter, matter as energy. 

While staring at the design, I thought of how this might be some kind of diagram depicting movement on Earth such as an earthquake. When I researched this idea, I found that the phenomenon called the Love Wave (web.ics.purdue.edu) is the surface activity of a wave emitted by an originating shock beneath the Earth’s surface. It is essentially the measurable and sensed effect of an earthquake on land above.  

So far we have within the stability of the earth and matter (the square), some kind of energy (the zigzag), maybe as powerful as an earthquake, which seems to cut through space and matter to then divide the design into two different spaces. In terms of sequence of events, one would probably begin with the standing crop that is already there and move through the electrical process of the zigzag to come to the now horizontal crop that, from a distance, looks like a very soft, gentle, wavy space of matter.  The lines of the laid crop are more like an organic wave than the sharp angled zigzag, and the whole seems as one large blanket or fabric. 

What I perceive in this amazing formation is a statement about the fact that we as material beings, and all of the material creation we live in, are about to go through a major change in state of substance. It might feel like we have been hit by lightning, or that our world has been shaken to its core, but in fact the square remains and the name of the wave (albeit named for the scientist who discovered it) is LOVE. This is the impact of the coming of the Age of Aquarius, and the return of the Great Serpent Quetzalcoatl/Kukulkan. This is the extent to which we will be transformed, not destroyed. This crop square gives us a peek at what may take place within our life, our bodies, and the world around us. 

Quetzalcoatl as the shadow serpent appearing on the pyramid and as the Rainbow Serpent. 

One of the many visionaries and leaders for this change in Humanity is José Arguelles in whose book The Mayan Factor: Path Beyond Technology we are given his glimpse of what it will be to be human after 13.0.0.0.0 (December 2012). This was written October 6, 1986: 

“Then, as if a switch were being thrown, a great voltage will race through this finally synchronized and integrated circuit called humanity. The Earth itself will be illumined. A current charging both poles will race across the skies, connecting the polar auroras in a single brilliant flash. Like an iridescent rainbow, this circumpolar energy uniting the planetary antipodes will be instantaneously understood as the external projection of the unification of the collective mind of humanity. In that moment of understanding, we shall be collectively projected into an evolutionary domain that is presently inconceivable. 

And yet, we shall know. Like infants in a vast new playground, we shall retain the highest and most exalted vision. Purpose will be illumined to new levels of spontaneity. Everywhere shall be heard the Voices of the Galactic Federation: the Elders, the Ancestors, the great Bodhisattvas and Saints, the Maya returned, our deepest Selves, the Cosmic Mirror, the Raiment of Space and Time made One. As one voice the announcement shall be made, heard by one ear: And now the adventure begins!” (Arguelles 195-96) 

 

Image of Earth surrounded by the consciousness of the New Humanity 

The dream that was pulled from my memory by this crop formation was dramatic, yet not quite so much as the description above. Once told, you can see why I associated the formation at Devil’s Den and this dream: 

October 13, 2005

      I had knit the bottom part of a sweater using light mauve yarn, and was looking for some kind of tool to cut or change it to a ribbed edge. I kept asking about where to get a tool I could use. Then an older Chinese man took the knitting and took the tool which was a tall box with a slot. He disassembled the box. I noticed a blade was part of it.

      He sort of waved the knitting around a bit in the bin part of the box.  When he took it out, it was all evenly unravelled or fringed–a very light, thick, soft fabric–every fibre exposed yet adhering to make a beautiful light yet substantial fabric.

      The teacher would not tell of the blade because it can be very dangerous to use.

 

A related synchronistic event was that a group called the Cardigans had an album called Super Extra Gravity at the time. This made me associate the dream with the ideas of the Cosmos, the Galaxy and Earth etc. The zigzag in the formation could be the blade in the dream, and it is taken away by an Elder.

 

 

Although not exactly like the metal blade, the zigzag at Devil’s Den was enough to trigger the memory of the dream about the transformation of matter.

 

The danger is taken away in the dream, and is named LOVE in the formation. The resulting fringed fabric in the dream is described just as I felt about the laid crop in the formation: substantial, yet light and soft, each element apparent but also intrinsically woven into the whole. The tall box with the slot made me think of the Central Core of our Galaxy which is the origin and instigator of the changes we are experiencing in these times. I do note that the change I sought to make was not effected, but it was up to the Powers that be to effect such a change. It was out of my hands so to speak. In the same way, resistance would be dangerous for undergoing the process described in the Devil’s Den formation. The transformation requires, in a way, an active surrender to the workings and the will of the Universe.

 

As individuals and as a collective, we human beings are headed for wonderful things and all we need do is have faith in the honest to goodness square deal the Hand of Destiny is offering us.

 

Michelle Jennings

 

Sources:

Arguelles, Jose. The Mayan Factor: Path Beyond Technology. Bear & Co. Rochester. 1987.

Chevalier, J. & Alain Gheerbrant. The Penguin Dictionary of Symbols. Penguin Books.  London. 1996.

Liungman, C.G. Dictionary of Symbols. W.W. Norton & Co. London. 1991

Nozedar, Adele. The Element Encyclopedia of Secret Signs and Symbols. Harper/Element. London. 2008.

Walker, B.G. The Woman’s Dictionary of Symbols & Sacred Objects. Castle Books. Edison, NJ. 1998.
 

Images:

gifh.wordpress.com
esl.about.com
emma557.blogspot.ca
 www.nowheredesign.com

www.13moon.com

Addendum to “Square and Future Deal” 

 

It just came to me today after finishing the essay that the message for Devil’s Den in short is:

Allow the energies that are activating and changing our material life and the 3D world, flow. Allow the energy to be conducted through you just as water conducts electricity so well. Be like the water bearer, Aquarius and let it flow. That is the zigzag message in a nutshell: the transformative energy coming to us is best handled by allowing it to flow. A relaxed body and mind are most conducive to flow, as is peacefulness, kindness, sharing, community and honest communication. Do not worry if you do not understand what is going on as things are changing, breaking down or newly appearing. The most effective way to cope and benefit from these energies is to trust, remain hopeful, peaceful, and open in the heart. This is how to survive and evolve within the present worldly difficulties that could be referred to as the Devil’s Den. 

Michelle Jennings 

Images:- ufo-sirius.blogspot.ca   and www.goldenrosycross.org.mt



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Maya   Had Contact with Aliens  They return to teach us what the Maya Civilization failed to learn.

MEXICO CITY A new documentary about Mayan civilization proves they made contact with extraterrestrials. "Revelations of the Mayans 2012 and Beyond," proves that Mayans had contact with extraterrestrials. Producer Raul Julia-Levy told WWN that the evidence is "overwhelming," and the Mexican government is backing him up.

"Mexico will release codices, artefacts and significant documents with evidence of Mayan and extraterrestrial contact, and all of their information will be corroborated by archaeologists," said Julia-Levy, son of actor Raul Julia.

Luis Augusto Garcia Rosado, the minister of tourism for the Mexican state of Campeche, said new evidence has emerged "of contact between the Mayans and extraterrestrials, supported by translations of certain codices, which the government has kept secure in underground vaults for some time." He also referenced "landing pads in the jungle that are 3,000 years old."

Raul-Julia claims there is proof that the Mayans intended to lead the planet for thousands of years, but were forced to escape after an invasion by "men of dark intentions," leaving behind evidence of an advanced race. "The Mexican government is not making this statement on their own — everything we say, were going to back up," he said.  "The message of the film is crucial to human survival," Julia-Levy said.

When Julia-Levy, producer Ed Elbert and co-producer Sheila McCarthy announced the Mexican cooperation with their documentary to they were circumspect about claims of alien contact, with Julia-Levy admitting hed been ordered not to say anything about it.  The Guatemalan government was also sceptical but allowed filmmakers access to previously unexplored sections of a Mayan site at Calakmul.

(Shown here)

The Guatemalan government changed its tune, and joined the project, giving access to artefacts and newly discovered prophecies.  "We believe for certain that aliens worked with the Mayans," said Guatemalan arts minister, Jose Rosado."Guatemala, like Mexico, home to the ancient yet advanced Mayan civilization has also kept certain provocative archaeological discoveries classified, and now believes that it is time to bring forth this information in the new documentary," Guatemalas minister of tourism, Guillermo Novielli Quezada, said in a statement.

He said the country was working with filmmakers "for the good of mankind." Raul-Julia claims that the order to cooperate came directly from the country's president, Alvaro Colom Caballero. "Revelations of the Mayans 2012 and Beyond" is due for a theatrical release in late 2012, before the end of the Mayan calendar. While doomsday scenarios focus on the calendar ending on December 21, 2012, many scholars point out that it simply resets for another 5,126-year cycle on that date:- aliens.eresey.com 

Blanche McLanahan


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