Windmill Hill, nr Avebury, Wiltshire. Reported 25th July.

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Updated Thursday 9th August  2012


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Image Isaac Clark Copyright 2012



Windmill Hill of July 25, 2012 may represent a “lunar crescent” over a “trident”, to symbolize a conjunction of our Moon with planet Neptune on August 3-4, 2012  

A new crop picture at Windmill Hill on July 25, 2012 has astonished many people with its elegance and beauty. Yet what could the many symbols shown there be trying to tell us? On an overall level, it seems to show an artistic metaphor relating a “crescent” symbol for our Moon to a “trident” symbol for planet Neptune:  

Our Moon will come very close in Earth’s sky (or conjunct) Neptune on August 3, 2012 at 2200 UT. Essentially then, this new crop picture shows a “trident” in which its “three spears” have been replaced with a “lunar crescent”!  

A slight curvature down the long axis of Windmill Hill, from one end to the other, may match a similar curvature in the sky path of our Moon along the solar ecliptic, for one month during late July or mid-August of 2012 (as seen from latitudes 15 to 20o N on Earth):  

Looking more closely, if we begin counting from its small circles on one end, we can assign dates of July 26-27-28-29-30 to five small circles outside of a thin circular ring. Next we can assign dates of July 31-August 1-August 2 until we reach the largest circle inside of its “lunar crescent”. That large circle matches correctly the next full Moon on August 2 at 0327 UT:  

Then we may continue with two slightly smaller circles inside of its “lunar crescent” for August 3-August 4, followed by a brief space of time where everything “stops”.  

Two thin crescent shapes, which have been drawn outside of a circular full Moon for August 2, may mean “two days past a full Moon” on August 3 or 4. Our Moon will conjunct Neptune late on August 3 at 2200 UT, as 43 hours or almost two days past a full Moon on August 2 at 0300 UT.  

On the other side of “stop”, we can count 16 overlapping circles for “16 additional days”. Then if we add (10 + 16) we find 26 days, which is just short of one lunar month of 29.5 days. By this interpretation, three small circles for August 5-6-7 (in a white flattened region) would be “not shown“:

Why would those crop artists go to so much effort, to show us a relatively insignificant sky conjunction between our Moon and Neptune late on August 3, 2012? It makes no sense, unless the date itself happens to be significant in some way we cannot yet imagine. For whatever reason, this seems to be the fourth crop picture of 2012 to tell us a date of “August 4”.  

First Manton Drove of June 2 showed us a “polar clock” which could be read as August 4 or 5. Next Santena of June 17 (in Italy) showed us the Sun and Mercury in Cancer on August 4, leading into another date of December 21, 2012 for end to the Mayan Long Count calendar. Then The Wrekin of July 21 showed us a triangular arrangement of Saturn, Spica and Mars on August 4. Finally Windmill Hill of July 25 seems to have shown us the Moon in conjunction with Neptune on August 3-4.  

None of these astronomical groupings would be significant by themselves. In order to gain more information about this puzzling subject, we should see at least one more crop picture around July 29 (by the time series of July 21, 25, 29, ….) before August 4 is reached.  

According to the Mayan Long Count calendar, July 26 would, while August 1 would be and August 4 would be A previous crop picture in July 2011 at Windmill Hill used Mayan numbers, as did Fabbrico in Italy in June 2012. Now at Windmill Hill in July of 2012, we have seen two separate series of circles as 10 or 16 matching August 1 in the Mayan calendar (or August 4 as 10 and 19, if three small circles have been “not shown”).  

Appendix 1. Further convincing evidence for a paranormal crop picture at Windmill Hill on July 25, 2012: the dating and imagery of a bright full Moon on August 2, 2012 

As the fields of Wiltshire dry out in late July or early August, it has become possible for local humans with rope and boards to construct a variety of field diagrams, without covering the fallen plants in mud (as was the case in a wet June or July). Thus it becomes of some interest: how we can logically tell paranormal crop pictures from good human-made efforts?  

One of the best ways to assess whether a crop picture is truly “paranormal” is to look for convincing details, which could not easily (or plausibly) have been made by skilled humans with rope and boards. One such clever detail is noted in the slide below, which shows how the unknown crop artist added a single standing tuft to the large circle labelled “August 1”, to help identify its assigned date as “first day of the month”:  

Until we counted carefully all of the circles in the entire crop diagram, starting with a small circle for July 26 on the right, and ending with 16 large circles on the left (to complete one lunar month), this detail made no sense.  

Another clever detail was drawn throughout the white, flattened region which denotes a “lunar crescent” around the centre. There we can see a series of thin, striated lines, which presumably were meant to represent a bright, shining full Moon on August 2, 2012, or perhaps two days later on August 4, 2012:  

It would have been almost impossible for local humans with rope and board to make all of those thin, striated lines by hand, as close-up ground photographs of Windmill Hill can attest.  

A “Day Out of Time” from the 13-month, 28-day calendar proposed in 1992 by Jose Arguelles?  

By another interpretation, suggested by Miguel Etchepare, the largest circle in the diagram shown above might represent a bright crescent Moon on July 25, 2012, or one day later on July 26. By that view, Windmill Hill would have been made to mark a “Day Out of Time” from the 13-month, 28-days-per-month calendar proposed in 1992 by Jose Arguelles (see ). His calendar only contains 13 x 28 = 364 days per year, and hence has to add one more day every year on July 25 (an arbitrary date) to reach 365 (see ).  

It should be emphasized that his novel calendar is not part of traditional Mayan culture (see If we were to start counting with the smallest circle at Windmill Hill as a new Moon of July 19, then we would reach its largest circle as a bright first-quarter Moon on July 26. Why then should its next two circles for July 27 or 28 get smaller, if the Moon is still getting brighter?  

Appendix 2. Windmill Hill on July 25, 2012 shows a direct continuation of lunar motion as shown at The Wrekin on July 21, 2012, and so both crop pictures were probably made by the same (or collaborating) artists 

A crop picture at The Wrekin in Shropshire on July 21, 2012 showed a “moving crescent Moon” for a date two days later on July 23. It also showed a distinctive triangular arrangement of Saturn, Spica and Mars for a date close to August 4.  

A subsequent crop picture at Windmill Hill in Wiltshire on July 25, 2012 showed “trident” plus “crescent” symbols, to mark a conjunction between our Moon and Neptune on August 3-4. It apparently began its day-count from a lunar date of July 26 (but see above).  

When we plot both sky arrangements together, we find that Windmill Hill (from July 26 to August 3-4) shows a direct continuation of lunar motion as shown at The Wrekin (for July 23):  

Furthermore, a triangular arrangement of Saturn, Spica and Mars as shown at The Wrekin actually matches a date of August 3-4, when our Moon will conjunct Neptune, rather than a nearby lunar diagram at The Wrekin for July 23.  

Given the astronomical similarities between these two crop pictures, it seems likely that both were made by the same (or collaborating) artists.  

Red Collie (Dr. Horace R. Drew)

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Artwork by JW Copyright 2012

Jose Arguelles maintained that within the Tzolkin calendar, July the 25th each year would mark its 'day out of time.'  This 'none day' was thought necessary to keep the calendar in synch with what he believed to be Galactic synchronisations of time.

In reference to the CC found this day of the 25th of July 2012 means that tomorrow will be the Tzolkin's 'New Years Day.' In previous years, this July the 25th day would not have meant so much to the circle-makers as this year of 2012. For as we all know, 2012 is the final countdown to the end of the 5,125 year old Mayan Long Count calendar.

This CC image of the 'Sacred Feather' is mostly suggestive of Quetzalcoatl, otherwise known as Kukulcan.  The  Quetzalcoatl/Kukulcan moniker is usually that of a spiral. This is because the proto-Atlantean symbol for both Spiral Galaxies and Sacred Geometries was the Conch Shell, as its own natural spiral would satisfy both abstractions of: 'As Above' and 'So Below.'

The theme of the 'Sacred Feather' is best summarised by Manly P. Hall. This taken from his book 'The Secret Teachings of All ages.'

“Atlantean sun worship has been perpetuated in the ritualism and ceremonialism of both Christianity and Pagandom. Both the cross and the serpent were Atlantean emblems of divine wisdom. The divine (Atlantean) progenitors of the Mayas and Qhichas of Central America coexisted within the green and azure radiance of Gucamatz, ‘The plumed serpent.'

The six sky born sages came into manifestation as centres of light, bound together and synthesized by the seventh and chief of their order, the feathered snake. The title of ‘winged’ or ‘plumed’ snake was applied to Quetzalcoatl or Kukulcan, the Central American initiate. The centre of the Atlantean wisdom was presumably a great pyramidal temple standing on the brow of a plateau rising in the midst of the city with golden gates. From here the initiate priests of the 'Sacred Feather' went forth carrying the keys of universal wisdom to the uttermost parts of the world.”

Judith Simpson


Miguel Etchepare

Another day of Batz, and another “wormhole” 

 July 25th, 2012 is the day of 11 Batz. 21 days ago on the day of  4 Batz, came the July 5th formation at Boreham Woods showing a face coming through a “wormhole”. And also again on 11 Batz at Fox Hill.

Note the same difference in the eyes,..  This formation there is no face but a distinct count of 26 circles. 16 on one side and 10 coming through. This formation is very illustrative of the primal initiating force of the spirit being incarnated into the physical realm and the slowing of time as a result. 

10 is the number of manifestation. 11 is transmutation of knowledge.  Batz specifically states, “The Thread. First day men and women are born. Life begins.

                Day of Conception.  To intialize with one thread. Family from Creator over Earth. “ 

Batz is also the # 1 Hexagram of the I-Ching. It states “Khien (represents) what is great and originating, penetrating, advantageous, correct and firm. “  The other word used for Batz in association with the Aztec stone is Chuen. 

  In a circular calendar, the line of center is the beginning and the line marks Batz. On the image of the Aztec sunstone the days are clearly marked. The line that extends from the tongue leads to the small circle placed directly over the center between the days of Tzi, and Batz.  This is also the line where the faces of the two brothers meet. Turning the ring  clockwise the days proceed in order from that point, with the current day being center bottom.. 

  Looking at the calendar, it is a face coming through a “wormhole”. The tongue is perturbing and pointing. 

  11 Batz is also the first verse of the first chapter of Genesis. This can be calibrated by counting which would mean the 21rst verse is also Batz. There it mentions the great whales. Batz is located in the zodiac sign of Pisces which is the constellation of Cetus, the great whale. In fact, the counting this way is exactly precise all the way through the first 3 books. 

 But the indication of the crop is the 26, and it says, “26 And God said, Let us make man in our image, after our likeness: ….etc... Counting the days from the beginning, 26 would be the day of 10 Ajmaq. 

Manifestation :  Peace with Creator, and the day of ceremony with the Ancestors. 

  11 is the gateway, transmutation of knowledge, Batz is the initiative force, penetrating, to initialize with one thread. 

  The chapters of Genesis follow the progression of the 13 day weeks. Each chapter begins with the 1 of the corresponding week, except the first chapter, it begins with 11 batz and correctly follows the days according to the week of Ix, which is the “Mother of Earth” .  They are very precise in meaning, phrases, numbers, correct order, influence, and symbolism. 

Here is a 6 minute video of Don Alejandro. Listen to what he says in regard to Arguelles asking permission from the Vatican, and also mentioning something was stolen and changed.  This is another video of his message to the people of the earth. The order and meaning of the days as they appear on the Artstrology site date checker are word for word as they were translated by Elizabeth,  the same woman in the video.  

26 is known as the number of the Supreme being, by at least one Hindu system. Read here..

 “ The other Sentient, the Paramatma, answers to No. 26. It is thus that we allot No. 26 to the Supreme Being. 

  When the people of Mexico first unearthed the stone, it was ordered to be buried by the church Bishops. When the people dug it up again, the church Bishops again, took it and buried it inside the walls of a church. Finally, it was removed from there and now in the museum in Mexico City. 

  When the Zodiac of the Dendera was found, it too was blasted out of place and hauled back to france. It took the man 20 years. The stones are made by the same people. They fit together. They are of common size and technique. The knowledge which comes from the 2 stones is exactly and precisely the information which is woven into the creation story of the bible. It has been altered and changed to exert control and enforce maniacal laws. It confuses the people. 

 The day of Batz is adjacent to the decan of Ship. It is the energy of the flock of geese reaching the shore. 

 The progression of the crop formations of this year are clearly indicating this. As ignorance is the enemy of man, knowledge is the hope. The prophecies of the ancestors knew that many good hearts would be fooled. We are the ones of yesterday, we are the ones of today, and we are the ones of tomorrow. Do not be afraid. We are the ones we have been waiting for. 

The symbol of this formation is for every living being. It is the primal initiative force of incarnation.  

Faces can change, the inner being grows and sustains.

David Odell

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Method theory


Image JW Copright 2012

A torus of ultra-high velocity spinning microwaves is directed and projected vertically downwards from above and coupled with balls of magneto energy as identified by Tesla. Depending on the dimensions of the internal and external diameters of the torus, the 'lay' of the crop is pre-designated. A few isolated stalks in the centre of a circle can be left standing and completely undisturbed. A small torus travelling in a straight line would cut a clean rectangle. The transmitter directs the beam working to a pre-designed template.

Each neighbouring element of the design is laid down in a few brief seconds. It does not matter in which order the elements are formed. Once formed they are neutralized on the source template. All genuine crop patterns carry a 'message' for mankind. Besides being the most beautiful works of art they are all messengers in their own right. The messages are benign and full of optimism. 

The most complex of patterns could be formed in about ten minutes. 

The aerial platform from which the patterns are projected is cloaked in a space/time continuum warp bubble that hides it from view. 


Rosa Rossa

Susan Seymour Hedke


Mark Fussell & Stuart Dike