Monument Hill, Devizes, Wiltshire, United Kingdom. Reported
has been accessed
Updated Friday 1st November 2013
Hill of August 6, 2013: a human-made effort made in honour of the
British royal family, or a marker made by time travellers?
too much of a sceptic to deny the possibility of anything”---Thomas
crop picture at Monument Hill on August 6, 2013 was the most
controversial of the summer season. In its first aerial views, a few
of the lines looked “out of place”. This feature was immediately
seized upon by debunkers, to suggest that those were “planking
errors” for a crop picture made with rope and boards. Still the
remainder of that large crop picture looked truly beautiful. Now we
can see, from the first slide shown below, just how wrong the
superficial debunkers of crop circles can be.
its central “pyramid” shape was meant to
symbolize a monument nearby to James Long, erected in
1768 on top of Monument Hill. The debunkers had insisted that this
central shape must be a “cube”. By their hastily-drawn
assumption, some of the lines were portrayed incorrectly for a
“cube”, so we must be seeing “mistakes”.
a classic “straw man” argument, where one side misrepresents the
true situation, so they can later appear to “refute” it. Ground
photographs of Monument Hill as taken by Paul Jacobs, John Mayers or
Janet Ossebaard look excellent, with no indication of incorrect or
sloppy lines anywhere (see
field reports or
will proceed to a more unusual aspect of its symbolism, which may be
seen around the outer edges. Its outer parts bear a striking
resemblance to the “diamond tiara” which Kate
Middleton wore at her royal wedding in 2011:
might conclude from this, that the whole crop picture is a clever
human-made effort, made in honour of the British royal family? Or
could it be something more, perhaps a field marker made by time
travellers who are visiting our era? Both hypotheses seem somewhat
doubtful on first consideration.
noticed that the central “jewel” from that “diamond tiara” points
due South in the field where it was drawn, parallel to
crop tramlines, and relative to a stone marker on Monument Hill
might be located due south of Monument Hill in Wiltshire, relevant
to a “diamond tiara” that Kate Middleton wore at her royal wedding
in 2011? We find that the central “jewel” of that crop “tiara”
points toward Bournemouth, where Kate and William
first became seriously involved in 2007:
travellers making a comment on current Earth history? Could this be
a signpost like a “lighthouse” in the “sea of spacetime”, to tell
them when and where they are located? Just as when hikers travel
through a forest, they draw in chalk on certain trees to mark the
way? It is indeed an odd idea. Yet as Thomas Huxley advised: “Sit
down before fact as a little child. Be prepared to give up every
preconceived notion. Follow humbly wherever and to whatever abysses
nature leads, or you shall learn nothing.”
“Secrets of a royal romantic reunion which changed the
course of history”, some important events which happened
in Bournemouth 2007, a town toward which the new “diamond tiara”
in crops at Monument Hill points (see
www.dailymail.co.uk). Do you think time travellers might be
interested in that?
(Dr. Horace R. Drew)
Angular deviations from perfect hexagonal or cubic symmetry, to
achieve the 3-D perspective view of a pyramid shape from the
CLICK HERE FOR THE LATEST CROP
CIRCLE CONNECTOR DVD
Re the Monument
Hill crop circle Aug. 6. There is comment on Facebook sites that
this is is obviously a human made formation because the central
cube seems to
be wonky. Actually it is a virtually perfect representation of
a cube in what is called 'Two Point Perspective" and designed to
give a 3D impression on a flat 2D surface.
This is a very cleverly done
formation, virtually perfect and I make it from the photo, about
450 feet diameter. The best in Wiltshire I think this year.
Discuss this circle on our Facebook
Crop Circles-UFO's-Ancient Mysteries-Scientific Speculations
Harmonic sonic levitation - a
high priest 'conducts' a circle of ten priests with gongs in
order to create an intense 'wall of vibrating sound' which
disrupts and neutralises gravity and renders huge megalith
cuboid stones lightweight giving them the ability to float in
space. This is the key to the construction of ancient MONUMENTS
Dear readers and writers,
with this very special crop circle we have an absolute exactly
expression of the 'meaning', although it may be a bit 'confusing' at
a first glance.
And it represents the direct continuation of my last report
For sure I do know that my report has confused you because its
'strangeness'. But be ensured, when I entered that room for the
first time, I was more confused than you possibly are by simply
reading my 'strange' report.But this crop circle here shows the
'mechanics' of the 'never ending now' - absolutely exact and
precise. It seems that CC-makers have sent the crop circle just in
sense of 'support'.
So I will show you the meaning
of that 'room' - depicted here in schematic view, by courtesy of
some very friendly crop circle makers (very big Thanks to you, dear
brothers and sisters):
Many thanks here to Frank Laumen for the presented beautiful photo -
what could we do without your so much appreciated help? So again my
I have drawn some arrows, lines, circles and ellipse.
Before solving the image we need to look what we have here.
A cube inside a circle, some 'schematic' beings around the circle
and a special filled 'dot' on the right.
So let's solve the 'puzzle':
The centre is the cube, which I have marked with a GREEN circle.
What is a cube? It is a body with THREE dimensions: Length, Width
and Depth - in technical view it is a body with X-, Y- and Z-axis.
Note: CC-makers possibly have set the three axis equivalent to the
three 'times' - Past, Present and Future.
Around the circle in which the cube is placed - on the outer side -
there are some 'beings' placed. It is a schematic depiction
representing ALL the living humans!
And on the right side we have a filled DOT - which is the 'summary'
So let's go deeper:
The 'humans' are sitting around the circle. I have drawn only one
BLUE ellipse around one of them. All the humans are connected in
MIND, either conscious or unconscious - however they ARE connected,
depicted by the RED lines which connect each single human with each
The humans, however conscious or unconscious DO create the future -
as you will see!!!
It was been explained to me in every detail when I was in that 'room
of eternity' !
So what are the humans doing?
They send their 'INPUT' into the system of time, their inputs into
the three dimensional cube are depicted here as the RED line right
hand, which goes straight into the cube.
But this INPUT is responsible for the kind of OUTPUT - as the
summary of thoughts, wishes, longings, pain......
The summary of all is the OUTPUT (green lines)- which then will be
send to the 'filled DOT' which I have marked with a white circle
This output does literally CHANGE (alter) the future, which by the
way does exist as a 'model', created as the summary of the Present
and Past. That model is a 'calculated' model of the future. It is a
BASE model of future, which means the most presumably future - so
far if there would be no further INPUT (in such case the humans do
not send any signal as input. They are 'passive' and do only 'watch'
but never intervene).
But if they are NOT passive, then they send many signals (input)
into the 'cube' from where then the OUTPUT = altered future will be
Nothing left here to need to
explain - as you can SEE how it 'works'!
The summary of all: It is literally laid down into YOUR own hands
(minds) to 'create' the future!!!!
So see yourself as real creators which you truly ARE!!!!
No other 'being' will do this instead of you! No other being than
If we want a 'better' future then it is our task to create it!
WE MUST DO IT.
Many thanks to all of you for reading and thanks again to our
brothers and sisters.......
2013-08-06 - Gerd Estrup -
FOR VISITING THE CROP
looks like Ed's Generator from his Coral Castle. Secret to
Antigravity using magnets and sound?
of Giza Pyramid construction? A secret handed down through
mysteries teaching and freemason?
at that picture and that is what I am getting from it. The
square looks to be hovering not part of a squaring the circle or
the angles to place magnets in the generator. I think someone
broke the code to build a generator recently with prime numbers
since ED left that secret on one of the Castle Walls.
secrets of antigravity are revealed as the result of an in depth
study - clues left by Edward Leedskalnin at Coral Castle, and
the Freemasons Lodge (Grand Masonic Lodge) at Philadelphia.The
Golden Ratio (Phi), or the Golden Section, and it's relationship
to Prime Numbers, Prime Quadruplets, and the Pyramid
Shape with an angle of
51.83 degrees is revealed for the first time!
hidden secrets of anti-gravity and magnetism are here. The Star
of David hexagram is a key as well, along with the number 144.
Learn how the ancient megaliths of the world were really
constructed. The best way to a real antigravity solution -
infinitely easier to construct than Searl, Hutchison, and
this go back to the circle makers trying to show an alternate
energy to use as energy? Did Tesla figure this out by
harnessing the energies of the earth? Maybe.
Count the circles 10 + 1 , count the semi-circles
The 11th Dimension
"The 11th dimension is a characteristic of space-time that has
been proposed as a possible answer to questions that arise in
superstring theory. The theory of superstrings involves the
existence of nine dimensions of space and one dimension of time
(a total of 10 dimensions). According to this notion, we observe
only three spatial dimensions and one time dimension because the
other six spatial dimensions are "curled up" or "compactified."
(The three dimensional box)
Joseph Lake Research
Click above to join the Crop Circle Connector
The new one is the giant
cube which is at the sun. THe giant cube belongs to the
Cassiopeians of the Living Library in league with the Uan (Oannes,
the same of Jim Sparks) Uan where the name "Van", "Vanir (of the
Eddur) came from put "Van" and "Dals" (Nordic) together and you get
VanDals now why were they given such a bad rap in history? Did it
have anything to do with a reptilian pope I wonder
The Hidden Texts have a pdf
forum all about the CUBE UFO
www.hiddentextsofnostradamus.com (free of course)
We are all Ying Yangs !
Reported Aug 6, 2013, is the
day of 11 Qanil, 13 day week of Tijax.
Tijax is the 8th day , and the 8th Hexagram of
the I-Ching. It is the “union of men” and balance of polarity. In terms
of electricity, this is the current which flows between the positive and
In terms of “peepole” it is the multiplicity which happens when we are
“twitterpated” and overcome with the desire to mate. The simple laws of
attraction. Divided we fall.
Qanil, only happens in Tijax. 11 is transmutation of knowledge or
gateway, and Qanil is the sperm and the egg. It is the Yin and the Yang.
Being that we all came from a sperm and an egg (fair assumption) , we
are all a bunch of “ying yangs”.
Hexagrams 17 and 18 work together. The gathering together and
forming a solid union is the cube within the circle of this formation.
The single “stem” is Tijax and it is Lanthanum, like which, it is a
point of separation into something entirely different. Lanthanides are
Union is a concept of material solidification. When we unionize, we
become strong as a unit. 2 heads are better than 1. But , how many heads
until we reach the point of “diminishing returns” ? It depends on
innovation. The issue of population is directly linked to human
innovation the same way, heights of buildings are linked to structural
design creativity. Creation is creative. Memorization stifles.
favorite artist born during Qanil is
Bronwyn Oliver. She was born on the day of Kawoq in the week of
Qanil. Kawoq is next to Tijax and is the #12 day in the week of Qanil.
Complete understanding of the Seed. Her designs were often made of soft
tissue. She produced these …..
Tapei 101 is a landmark sky scraper that opened on Dec 31, 2004.
That day was 4 Qanil in Rope decan. It has a unique structural
apparatus called a “tuned mass dampener” . It is a magnificent structure
and is also highly regarded for being the largest “Green” building in
It has a seed inside it..
here is the motif above the entrance of the tower
here is the design of the courtyard outside the main entrance
This is the color coded energetic signature of Qanil from “Family”.
polar opposite day which is 11 Tijax in the week of Qanil gave birth to
Starbucks March 30, 1971. The highly appropriate Logo design for
that is derived from this...
Shape and Time are unionized. All things take on traits according to
their “birthdate” and destiny flows like a river of electrified seeds ,
each one whining and screaming to find its partner or group. Know the
Self, find the other(s).
These two Crop Circles have the same shape circle, please check the
The explanation for the cube having an imperfect
parallelogram: by placing the top as December 31st/January 1st the rest
of the clock is a 12 month calendar where the lines deviate are pointers
to events. I am not on my own computer at the moment - but will get the
dates on the clock when back at my own computer. These dates correspond
to events in the Hidden texts of Nostradamus.
Monument Hill, Devizes, Wiltshire, United Kingdom. Reported 6th August.
This would be a perspective illustration of a cube
The yellow circle is an exact circle. It shows the geometrically
correction of the inner crop circle.
Sorry, no chance to give this cube some perspective shape.
Have tried to set one
Vanishing point. The red line would be the correct line for the
The fact is: There is no meaningful possibility to give the cube a
geometrically correct shape.
This month's Monument Hill circle is a near-perfect formation,
with an obvious distortion in the central cubic feature. This
distortion I believe to be intentional and symbolic of distorted
perception, as described below.
The formation appears to be a latitudinal
cross-section of the human brain, with the two open circles
being reminiscent of eyes and the outer structure being
reminiscent of the cerebral cortex. The centre I believe to
be symbolic of our interior perception.
The cube's distorted edges might be an
intentional feature that symbolize the distorted, limited sense
of reality incurred by overutilizing a 3-dimensional perceptual
model as the "true" experience of existence. There is obviously
a great expanse of existence that transcends this model, where
3-D perception is simply incongruent and not useful.
The small filled circle between the
'eyes' might be representative the 3rd eye's perception of
etheric information. The third eye is generally thought of
as a small portal of incoming light that is located above
and between the eyes, though its cerebral component is
thought to be the pineal gland, a small appendage with
photoreceptors that is located in the centre of the brain.
Perhaps the extension of the filled circle represents the
link between the spiritual portal of the 3rd eye and the
visual manifestations in the pineal gland.
MONUMENT HILL 6 AUGUST SHOWS THE UNFOLDING
OF THE CUBE.
Their artwork is not to be criticized, nor is the impression
expressed of anyone commenting on this website. All ideas must
be accepted.....for what one feels in their heart is valid and
may inspire others to open their mind and gain a new
perspective.The wobble in this cube obviously reflects this.
True unfolding is seen in the attachment; 'unfolding'. The
result would be image of Metatron's cube as apposed to the Tiara
like reflection on the periphery of the formation at Monument
Hill. Until which time we slip into hyper-dimensional space time
the reflected image of the 'wobbly' cube remains our reality.
Their are twelve line segments used in its construction. Thus
when it unfolds there are twelve ways by which that manifests.
At present we know of 11. Perhaps the key is hidden in this
image on the periphery.
This artist, Bud Egger, is like the
crop circle artists. He creates with his hands, his head
and his heart. The Guardian is 12 feet and offers a
feeling of profound peace and protection. No less than
the feeling when entering a crop formation. Bud is my
dear friend and I consider the same regarding the circle
makers. They are to each of us special and protective on
an individual basis.
This work of
long time Portland sculptor Bud
Egger centres on the human form and
the birds. Before taking flight, two
birds perch on outstretched arms and
hands of the arch-backed,
exaggerated musculature man, feet
firmly planted, guarding this
exquisite water garden. For more
information on the Sculptor Bud
Egger and his work please contact
the studio at (503) 665-9821.
The crop circle makers are our
ancestors, guardians of this planet
and every man woman and child. they
seek to teach us the ways before the
first time by opening the living
book where all things are
interconnected, weaved into the
tapestry of earth. We have
everything to learn from the 'old'.
An experience of insight and curious
knowledge felt as if it were our
own. But, all the while knowing we
can't quite grasp that. fate is no
equation. it is an illusion. The
void. Given to us, a gift, by the
human living experience. That same
experience gives a feeling not
unlike that at the end of a page.
The last page of the book.As you
finish the last few words of the
sentence your heart embraces your
soul, whispering in a naive ear,
'many more books are told".
THAT POINT OF REFERENCE AGAIN?
In my article of August 7, on the Wessex Ridgeway circle, which was
reported on July 24, I claimed that that formation and the ogham-glyph
circle [as I call it], of 29 days earlier, form part of a series of
this year's UK field displays that are linked geodetically to the
estimated centre of Silbury Hill's summit. I was therefore intrigued to
discover that, on August 6, as I was close to finishing the article, the
impressive formation at Monument Hill was reported [but I didn't find
out about it until much later]. It occurred to me that, if my theory is
valid, as I'm convinced it is, this striking structure, of all others,
would surely concur with it. Although I haven't yet had the chance to do
what I always consider to be imperative - carefully survey the formation
- the illuminating result of my preliminary enquiry has persuaded me to
submit this incomplete analysis to the CCC.
I'll be referring to the following adaptation of Frank Laumen's
Knowing that, to understand crop circles, you often have to be able to
think like a child, I was soon drawn to the straight-line structure
within the central circle. I concluded that its architect - when
creating what is probably a perspective drawing of a cube [as Jack
Sullivan said] - had elected to avoid showing the body's one corner [and
its associated edges/faces], even though this could have been achieved
easily with dotted lines, as shown in the crude Fig. below:-
And observing that the cube's 1 missing corner is being
overshadowed by its 7 visible ones, I realised that the
simple juxtaposition of these primes can infer another prime, 17,
which had a central role in my article of August 7. Amongst other
things, I demonstrated that the sequence of the first 17 primes
[starting with the supreme prime, 1, as stressed in my
book] can infer a number, 6371, which replicates not just an
up-to-date value, in km, of the earth's mean radius, but also the radius
of the spherical earth model that, so I've discovered,
formation geodesy is based on. But as the manifestation of the prime
17, in the Wessex Ridgeway circle, had been closely tied to the
prime 13 [i.e. the 17 had been derived from a set of 13
orbiting spheres], I expected to find an expression of the latter
number, here, also - and I wasn't disappointed! …
Firstly, the cited explicit item of information displayed on the cube
depiction just alluded to … 7, the quota of its visible corners …
is the prime rank of 13 [i.e. 13 is the 7th
But secondly, and of great importance [in the current context], 13
happens to be the time span, in days, between when the Wessex Ridgeway
circle and this one, at Monument Hill, were reported i.e. the first was
on July 24 [day 205] and the latter, on August 6 [day 218].
It now appeared, then, that the two edifices were linked both
structurally and chronologically and, having recognised this, I couldn't
fail to notice that perhaps the most prominent attribute of the latest
formation - its circular display of odd looking, interlinked pictograms
- exhibits another close bond with the Wessex Ridgeway creation. …
These mysterious, circumferential structures - which I believe we are
being told form part of the same group of objects, because they are all
joined by a continuous band of flattened crop [identified in the Figs
below] - are 11 in number, comprising a total of 10 of the
1st depicted type and, 1 of the 2nd [Note:
the reason for this splitting of the 11 shall be explained again]:-
Apart from the cited band of flattened crop, which physically links
these 11 objects together, their commonality is also being
stressed, I believe, by the fact that they share the following, explicit
attributes [also highlighted in the Fig.]:-
 each sits on the circle that encompasses the cube;
 the upper region of each comprises a prominent, oval structure.
My interest in the quoted 11 [another prime] stems from the fact
that the 11th prime, 29, had a pivotal role in the
Wessex Ridgeway circle. … The displacement, expressed in metres, of the
structure's uniquely defined central point, from the estimated centre of
Silbury Hill's summit, was 29x353, where 353, the
72nd prime [72 being a pentagonal number], was
the measured displacement between the same Silbury Hill point and the
centre of the pentagonaly based ogham-glyph circle, which was
reported 29 days before the Wessex Ridgeway formation.
I therefore wondered if this dominant position, within the Monument Hill
formation, of the prime rank of 29 [i.e. 11], was telling
us something about a similar relationship that exists between the
structure and the cited, estimated centre of Silbury Hill's summit.
At this juncture I noted the obvious fact that the next whole number
after the circumferential 11 i.e. 12 - the letter endowment of a
relevant name, Monument Hill - is closely associated with the
figure that the circle encompasses i.e. a theoretical cube is endowed
with a total of 12 edges [the 3 hidden ones being shown in my
earlier Fig.]. Furthermore, when these edges are labelled, 1 to 12, thus
[where I've superimposed the numbers on the cited diagram]:-
- the sum of those labels is, 78 [= 1+2+…+11+12], and this has an
interesting interpretation in the context of the date the formation was
reported i.e. day 218 [= August 06].
When 78 is taken from the 218th prime, 1327, we obtain
1249, which is the 205th prime, and we know that
the Wessex Ridgeway formation was reported on the year's 205th
day: July 24.
It was clear, then, that a simple attribute of a cube, its quota of
12 edges, embodies another way of tying the two formations together,
This simple revelation now aroused my curiosity concerning the word
itself: does CUBE give us a pointer [as was the case with the word TICK,
in my earlier analysis] to what this esoteric communication is trying to
When its 4 letters were again apportioned numbers that represent their
respective positions, in our 26-lettered alphabet, they yielded a
combined value of … 31 [= 3+21+2+5] … which is a prime, but not
just an ordinary one, in the current context: it is the 12th
prime; 12 being, as we know, a cube's allotment of edges [Note.
And the digits 3-2-1-2-5 add up to the familiar: 13].
This elementary discovery, then, raised the exciting possibility that
the ostensibly innocuous 12th prime … 31 … is
at the heart of what the magnificent Monument Hill circle is all
about, and, as mentioned earlier, even its name is comprised of 12
letters. But before I explain how I subjected this hypothesis to a
simple but demanding test, I'll demonstrate that there are still a few
more snippets of relevant data lurking in the arrangement we've been
looking at. …
One of my first observations had been that the formation's
representation of a cube can point to a simple manifestation of a prime:
17. And as shown in my article of August 7, the first 17
such primes are as follows:-
But these add up to a number that can be expressed as … 29+353
… which bears an obvious relationship to the distance [measured on the
spherical Earth model] between a central point in the Wessex Ridgeway
circle and the estimated centre of Silbury hill's summit: 29x353
I also pointed out, however, that the depicted array of primes comprises
29 digits. But I didn't refer to the fact that their sum, another
prime, is … 103. In the current context, this additional morsel
of information proves to be exceedingly interesting. …
We now know, on the one hand, that the value of CUBE is the prime 31,
whilst, on the other, that the '17' we inferred from the
formation's cube is closely tied to 103, another prime.
It doesn't require a giant leap of imagination to recognise that the
cited 103, inextricably linked as it is to the first 17 primes,
can be expressed as:-
- where 72 is the all-important pentagonal number, whose
prime rank is the above cited 353.
If we now juxtapose the foregoing information [where '72p' represents
'the 72nd prime', 353]:-
the sum of the first 17 primes can be expressed as … 29+72p
the sum of those primes' digits can be expressed as … 31+72
- an intriguing question immediately comes to mind. …
As we know that the measurement, on the Earth model, from the cited
Silbury Hill point to the one in the Wessex Ridgeway formation can be
expressed, in metres, as … 29x72p … are we being told that
the second set of numbers, above … 31 & 72 … also defines
the value of a relevant dimension [in the current context] to the point
on the ancient, manmade mound?
As I said earlier, I haven't yet been able to get to the Monument Hill
site but, thanks to the remarkable images published by the CCC, I know
what field the formation there is lodged within, and I think that the
following diagram, which depicts an arc, of length, in metres, of …
31x72p [i.e. 10,943] … which is centred on Silbury
Hill, speaks for itself:-
It's clear, then, that the arc not only traverses the field that
accommodates the structure it also appears, from a consideration of the
available photographs, to penetrate it, an observation that can be
easily checked by any competent person, visiting the formation, who's
equipped with a GPS, or GPS-enabled mobile [set for WGS 84].
Indeed, I'd be most grateful if someone could furnish the CCC with the
necessary information - and they may find that the following set of
coordinates, pertaining to the above depicted arc, will help them to
determine, for themselves, where it cuts the formation:-
To conclude this submission, I'd say that my claim, concerning a number
of this year's circles and Silbury Hill, has again been corroborated but
the cited missing detail will still be of immense interest.
© Neil Hudson Newman: 12 August, 2013
I was playing around today
with a conjecture I had about the recent "off" cube formation, (Monument
Hill, Etchilhampton, Wiltshire |6th August 2013 | Wheat OH) and
superimposed the equally "off" icosahedron formation from last year (Owslebury
nr Winchester, Hampshire | 29th July 2012 | Wheat OH ). What resulted
was a reasonable correspondence, given that camera angles most likely
varied somewhat. I'm not sure what this means, but wanted to share the
parallel with others who are intrigued by the peculiar proportioning of
CHANNELLING FROM THE STAR COUNCILS OF LIGHT
Hill, Etchilhampton – 6 August 2013
I visited this remarkable circle the evening after it arrived,
and then went back with the four lovely sensitive people who were on
my last Star Connecting Course very early on the Sunday morning.
First they explored and sensed the energy of the rounded forms,
between the two large rings. Then we gathered in the small simple
circle which holds the whole formation in the south - before they
had entered the world of the straight lines of the cube - and I
channelled the words my star counterpart was singing and speaking to
us. She sang of the beings from the Pleiades and from Andromeda who
made this crop circle and suggested how we could experience the
rounded chambers and the converging straight lines of the cube to
meet in the centre as different ways of ascending into the higher
dimensions. This you can try in your consciousness as you look at
the aerial photo – for the scale of this big formation, notice the
tiny human figure in the centre of the simple circle! Imagine you
are in different spaces – the light areas are flattened wheat and
the green is standing crop, or slowly walking the lines of the cube
- and see what you sense of how the energy of the geometrical forms
and the different forces of straight line and arc affect your own
energy field. Notice the very subtle reactions within you. These are
her words for the Comments on Crop Circle Connector.
AMUNA RA-STAR COUNTERPART: Dear friends, I wish to relate the
story of how this formation in the field of wheat at Etchilhampton
is a call to those of you who love the circles and the simple cosmic
forms of the Pleiadians, and to those of you who love the straight
lines and direction of our Andromedan brothers. For you will find
both here, and you will find the healing energies of the Arcturians
in the chambers around.
All ten of the linked curved chambers are sanctuaries of
ascension, each is different, and if you explore these chambers and
enter the one which draws you most and sit within it in meditation,
then will we whisper to you the secrets you most need to know. Spend
time in the chamber which draws you – and you can do this purely in
your consciousness, dear ones, if you are unable to physically go
into our circle – spend sufficient time there to let the cares of
the world drop away and to feel the star energy which will gradually
replace your own, refreshing and reviving you, and then, when you
are clear and at peace in your heart, then we can whisper to you
what you need to know. This is the first, this prepares you to move
to the key points which hold the whole formation.
Remain within the outer areas of curved forms, arcs and circles
and slowly approach the small unadorned circle in the south, which
holds the energies of the whole great formation. Pause on the
threshold, if you can physically be in the formation you will see
the distinct threshold in the way we have laid the wheat, which you
must consciously step across in order to enter the circle. If you do
this with respect for what you will find, then you will receive much
when you enter.
Now feel here the simplicity, and the power of the simplicity, of
the Pleiadians, for it is we who made these rounded forms to carry
you into cosmic experience. For that is what a circle does, it
carries you into cosmic experience. And if you sit in the swirled
centre of this little circle which has the power to hold the whole,
you will be able to access the higher dimensions. Allow yourself to
experience this in your consciousness. And when you have, and given
thanks for what you experienced, rise – or move your consciousness –
slowly and approach the central area of the cube. Do this slowly,
for you will be entering a different world.
There are four thresholds between the circle you have been in,
and the first line of the cube you are approaching. Cross them in
all consciousness, and then feel the driving energy of the straight
line, feel the direction for it is strong, it takes you swiftly into
the very centre. Stand or sit there - or allow your consciousness to
rest there while looking at the photo - and experience the
converging of the forces of direction upon the point at which you
stand. You will feel the forces sending your consciousness upwards.
It is a point of ascension.
If you are in the formation with friends it is good to experience
the geometry of the formation through the simultaneous movement of
human beings, then you truly feel the cosmic connections. If three
can stand at the corners of the cube and move, conscious of each
other, together to meet in the centre, then you are making the form
live: you are lending it your life and movement and you connect with
the creative energy which is contained in the form. And when you
converge upon the centre you feel the strength not only of the
geometric form sending your consciousness upwards, but also of the
connections between you, of the combined energies you bring as a
threesome to the point in the centre. It is strong, this working
together, and brings insights unattainable to most when purely
alone. Experience both if you can, dear ones, what comes to you
alone, and what comes to you when with others. Both are needed.
Observing souls sensitive to the energies sitting in meditation
at the centre of the Pleiadian circle which holds and at the centre
of the Andromedan lines of direction, shows the star connections
working together which comprise this formation. For it was made by
the working together of our Pleiadian and Andromedan fleets, for the
reconnection of human souls with their star origins and for the
healing and balancing of the forces of the earth.
We would urge you, dear human beings, to work with the energies
of our formation through contemplation of the forms, and allow
yourselves to experience in meditation the different ways of rising
into the higher dimensions, the different ways of meeting with us,
the star beings of the Star Councils of Light.
Amuna Ra, for the Star Councils of Light,
channelled by her counterpart, 19 August 2013
My forthcoming book: CROP
CIRCLE STAR MESSAGES: Multi-Dimensional Consciousness and the New
Earth has stunning pictures of all the crop circles in a
radius of nine miles of Avebury which the Star Councils of Light
claim to have made in the pivotal year of 2012, and profound
teachings on how to manage our energy and open to the new
opportunities available to us from 2013 onwards. It will be
available from my website in September.
Please email me if you would like to subscribe to the free
emailings of my channellings. Amuna@PleiadianRegression.co.uk
If you have questions for the Star Councils of Light and would
like to participate in a conversation with them you would be welcome
the next Star Gathering on Sunday 25 August, 7pm – 8.30,
in Calne, near Avebury, UK, contact me for details.
The following weekend is a Star Journeys Workshop for those who
would like to discover the origins of their souls in the stars
through regression. 31 August – 1 September in Calne, facilitated by
Amuna Ra who is a well-qualified Regression Therapist. All details
here – please apply soon if you’d like to come!
The next Star Connecting Course dates are 5-6 October, 2-3
November and 7-8 December. This is a course of three consecutive
weekends, though the people who have attended a Star Journeys
Workshop may join the second and third weekends of Conscious
Channelling. Details here
With Love and Blessings, Amuna Ra
THE LOVE GIVES US WINGS. THE ENERGY OF THE VISUALIZATION.
Interpretation according to the Mayan calendar Tzolkin
This crop circle
appeared on August 6, 2013, during the Wave of the Dog (from August 1
till August 13). A wave is a cycle of 13 days, from Tone 1 till Tone
13. The Solar Seal “Dog” means Love, Heart, Devotion. The Dog is the 10th
Solar Seal. On
August 6 was a day with the Tone 6 and with the Solar Seal “Eagle”.
“Eagle” means Creativity, Vision (Visualization), Mind. Tone 6 means
On the first
picture in the upper part of the crop circle is depicted the Human. The
day August 6 is with the Tone 6, presented here through 6 points, which
divide the inner circle in 6 equal sections. They build a hexagon, which
is divided in 3 rhombs with equal size, which symbolize the physical
body, the Spirit and the Soul. One of the meanings of the Tone 6 is
equalizing of the bodies. The human has to keep his physical body, his
Spirit and his Soul in balance.
In the second
picture we see that the same hexagon with the 3 rhombs looks like a
pyramid. When a balance between physical body, Spirit and Soul is at
hand, the body of the human becomes a strong energetic structure such as
a pyramid. The 10 figures of people in the outer circle symbolize the
10th Solar Seal “Dog” - the Energy of Love. They are connected in a wave
- the Wave of Love.
The Human in the
upper part of the first picture has spread his arms like wings. When the
human has balanced his Spirit, Soul and physical body, and when he is
connected with the other people through the Energy of Love, he gets
wings and could fly like an Eagle !! The Energy of the Visualization is
characteristic for the Solar Seal Eagle. The 10 figures of people have
faces with emphasized big, wide open eyes, which is an allusion for the
strong eyes of the Eagle. We, the people, have to grasp that through the
Energy of the Visualization we can create our future.
The Miracle of Monument
Hill” Crop Formation of the 6th August 2013.
“There are known knowns. These are things we know we know. There are
known unknowns, that is to say there are things we know we don’t know.
But there are also unknown unknowns . These are things we don’t
know we don’t know.”
Donald Rumsfield U.S. Defense Secretary March 2003
this formation first appeared many experienced croppies and long time
observers of the phenomenon dismissed it as human, generally well made
but with some glaring errors in the central circle evidenced by the
apparently meaningless distorted hexagon with unequal sides and the
along came photographer Frank Laumen. He presented us with two aerial
shots which demonstrate that when the formation was viewed along a
particular ground sight line and at a particular angle, a beautifully
precise 3D image of an edifice appeared.
aerial photos; see the Aerial Views on the relevant page of the Crop
Circle Connector, taken from other sight lines and aerial angles would
not reveal the correctly proportioned 3D image seen in the Frank Laumen
process of the generation of an image from apparently haphazard lines in
a ring has never been seen before in the whole history of the crop
circle phenomenon and presented us with a ‘chicken and egg’ type
puzzle. Which came first, the 3D image or the wonky Hexagon? They are
both projections of each other, neither can exist without the other.
incorrect explanations have been offered , including an early one from
myself on the website Comments page, where I claimed it was a
perspective view using two vanishing points. I was wrong, I didn’t look
deeply enough and apologize to anyone misled.
Further consideration persuaded me that the only way the irregular
hexagon seen in an over head shot of the formation can be made, is by
generating the required 3D image first. This would have to be done on a
drawing board and based on a pre- chosen structure or edifice. Once
realized, the 3D image can be used to generate the’wonky’ field hexagon
on the drawing board also, the various angles and line lengths then
measured and superimposed in the real crop formation inner ring. The
following drawing demonstrates how the all this can happen. Note the
image at Stage 5 is a traced copy from a Frank Laurens aerial photo.
Drawing No 1. Evolution of a phantom 3D image at Monument Hill.
Explanation of Stages 1 to 6 in the evolution of a 3D phantom image.
1. this is the true side view of a rectangular solid with trapezoid
sided walls sloping towards the top by 5 degrees.
2. this is a projected real view on the top of the structure. It is
rotated 15 degrees anti clockwise. This rotation adds complexity to the
£d image at stage 5.
3. this is a projected true view across the centre of the diagonal of
the rotated plan view.
4. this is the Stage 3 view tilted from horizontal ground level which
enables the projection of the Stage 5 phantom image as seen in the field
5. This is the 3D virtual image generated by the preceding stages.
6, This is the asymmetrical hexagon projected from Stage 5 which will be
seen from directly overhead.
Stage 5 image can only be seen correctly when the formation in the
field is approached on the ground level sight line across points c to G,
on image Stage 6 and at an aerial to ground angle of approximately 45
degrees, as actually discovered by Frank Lauren.
3D image appears inside an ellipse as seen at Stage 5. See Drawing No.2
for an explanation of how the approach angle is determined by measuring
the minor axis of this ellipse on the photograph and comparing it to the
Drawing No 2
3. Photograph of the cardboard model of the 3D structure on a 95mm
rectangular base. This was used to help in making the correct
projections in constructing Drawing No 1. the stage by stage evolution
of the 3D image.
Jack Sullivan 31st August 2013.
Mark Fussell & Stuart Dike