The second
phase of a crop picture at Pancake Plantation on August 19, 2018 shows a
“Star of David” around the outside, as a kind of rotating “star” or
“clock”, along with the small, apparently-burnt image of a “lamb’s head”
at its centre
"Behold the Lamb of God, who takes away the sin of the world." ---John
1:29
This new
crop picture at Pancake Plantation clearly seems to show Jewish and/or
Christian religious symbolisms, so we will discuss them as such.
The new crop
picture at Pancake Plantation resembles a geometrically-similar “Star of
David” at the LDS Assembly Hall in Salt Lake City
There is another “Star of David”, similar to the one just drawn in
crops, located above the main entrance of a large Assembly Hall for the
Church of Latter-Day Saints in Salt Lake City:
Other
examples may be found in various Christian churches around the world. A
large, round flattened circle at the centre of this “Star of David”
might be meant to represent a “round Jewish altar”, upon which some
religious follower might perhaps sacrifice an “innocent lamb”.
This crop
picture appeared on August 19, 2018, which was the day when all of the
wheat crops were harvested from the field where it appeared. August 19
was the first day of the Muslim Hajj pilgrimage to Mecca, while August
21 was their “Feast of Sacrifice”, which remembers the story of Abraham
who once sacrificed a lamb on a small wooden altar.
At its
centre we can see the small image of the “head” of a “lamb”
At the very
centre of this crop picture, we can see the small image of the “head” of
a “lamb”, which apparently has been burnt into the field by unknown
energies:
This
particular symbol is known as the “Agnus Dei” or “Lamb of God” in
Christian theology.
In summary,
we can see close to the centre of this crop picture, inside of its large
“Star of David”, what might be a “round Jewish altar”, with the
slightly-burnt head of a sacrificial “lamb” at its very centre, aligned
parallel to local crop tramlines.
That large “Star of David” motif seems to be rotating like a “clock”.
How can we read the time which is being suggested there?
The total length of time which is being suggested by this crop-drawn
“clock” seems to have two different components, which we must add
together to get an overall total.
First as we can see in the upper part of a slide below, its large ‘Star
of David” motif seems to have rotated clockwise by +45o
relative to the central “lamb” motif, which also lies parallel to crop
tramlines. Please look at a small, rotating
“red ball”
to visualize this rotation clearly:
Next as we
can see in the lower part of the same slide, the entire crop picture
(“star” and “lamb” together) seem to rotate by another +45o
in the landscape, when going from the “second finger” of a “man’s hand”,
clockwise to his upwardly-raised “first finger”. This also brings it
into alignment with a nearby image in the landscape which reads “Luv!!
3”. Perhaps that means “Love!!” in “3” years?
Our “Star of
David” therefore seems to rotate by a total of 45o + 45o
= 90o clockwise, or from a metaphorical “12 noon” to “3
o’clock” on a clock dial, by three full hours, or other units of time.
The
schematic image of a “man’s hand” in the landscape, two different
“rings”, and two different axes of rotation
In order to
explain this second kind of rotation more clearly, we must ask the
reader to please examine the very top slide on this page,
especially a large, green image
of landscape on the left, which may be seen using Google Earth. There we
can see the schematic image of a “man’s hand”, especially an upraised
“first finger”, a horizontal “second finger”, and some kind of “glove”.
He seems to be reaching out to the left (or northwest) to “shake hands”
with us soon.
On his
horizontal “second finger”, that man is wearing a “ring” which reads
“Luv!! 3”. The new “Star of David” crop picture seems to be
an additional “ring”, which he is now wearing on his upraised “first
finger”. Both “rings” include small, green, rectangular sections close
to their lower-left parts.
When we
proceed from the horizontal “second finger” of that “man’s hand” to his
upward-raised “first finger”, we rotate clockwise by +45o.
Thus the entire crop picture (“star” and “lamb” combined), as drawn on
his “first finger”, will also rotate clockwise by +45o.
Now its central “lamb” motif will lie at an angle of 45o
relative to the horizontal “second finger”. Yet its outer “Star of
David” will not point at anything at all.
However,
if we next rotate this outer “star” motif (around a central “lamb”) by
another +45o, then one of its six “points” will
lie parallel to the horizontal “second finger”, while another of its six
“points” will point toward the other “ring”, which reads “Luv!! 3”
just below.
A total rotation of 45o + 45o = 90o on
a 12-hour clock dial would correspond to “3 hours of time”, and would
also match a landscape number of “3” from the “Luv!!
3” motif.
A few other
notes on this crop picture and its possible paranormal origin
Several slight distortions away from perfect “Star of David” geometry
were included in this new crop picture, possibly so that it would seem
to “point” in the landscape, parallel to a horizontal “second finger”
which lies just below, or toward where that “man” might be “shaking
hands” with us. A very broad landscape image of this unknown “man” (who
looks like a “angel”, centred over the town of Holybourne)
will be
presented soon.
This crop
picture represents the second phase of a small, simple “ringed” crop
picture in the same location on July 1, 2018, as shown in a slide posted
above (see also
pancake 2018l ).
Their Phase I image of a “ring”: makes perfect conceptual sense, since
their new “Star of David” picture as Phase II seems to represent a
metaphorical “ring”, placed on the “first finger” of a “man’s hand” in
the landscape. Crop pictures with several different phases, spaced 50
days apart, have never to my knowledge, in the long history of this
phenomenon, been man-made.
Finally we
can see two thin lines of standing crop, all along the crop tramlines
which pass through its large, otherwise-flattened central circle (please
see either of two videos posted on
videos ).
This represents what Paul Jacobs calls “energy leak” (see
fringe2015b ).
Those people who talk about “unseen men with rope and boards” have no
explanation for such an anomaly. In order words, any process of
mechanical flattening with rope and boards would have flattened
all of the standing crops along tramlines, just like anywhere
else.
In summary,
it would seem better to study all of the various aspects of any new crop
picture using high-resolution drone videos (see
www.youtube.com or
www.youtube.com, rather than to make a superficial assessment based
on only part of the data, by studying just long-distance aerial
photographs.
Can you not
see the signs of the times?
"When evening comes, you say, 'The weather will be fair, for the sky is
red;' and in the morning, ‘Today it will be stormy, for the sky is red
and overcast.’ You know how to interpret the appearance of the sky, but
not the signs of the times!" ---Matthew 15:2-3
Seriously, the crop artists draw a "ring" which resembles the "Star of
David" on a "man's hand" in the landscape, close to a big symbol which
reads "Luv!! 3" (perhaps "Love!!" in "3"
years). Still you tell me that you don't know what it means, or you
continue to believe that all crop pictures are made by unseen vandals
using rope and boards, because that is what they say in the mainstream
media?
The “board”
which made this crop picture must have had a big canister of lighter
fluid attached, in order to burn the image of a “lamb’s head” into the
ground as found!
You can look at the sky and say "I think it will rain soon", because it
is full of dark clouds and the sound of thunder, even if the weather
report from the mainstream media reads "clear and sunny". Would you
still go for a picnic or to the beach? Or course not, you would just
figure that all of the so-called “authorities” or “experts” have it
wrong.
Modern crop pictures seem to be one of the most important “signs of the
times”. Please try to understand.
P.S.S.
A small “S-shaped” symbol may be seen in the large, central flattened
circle at Pancake Plantation on August 19, just below its burnt “lamb’s
head” motif, if we look closely at time 2:02 in a wonderful video by
Nick Bull
www.youtube.com or at time 3:25 in another excellent video by the
Hampshire Flyer
www.youtube.com).
This is
essentially the same small, S-shaped symbol which was drawn in crops
near Sutton Hall in Essex on June 30, 2018 (please see the second
photograph down from the top on
sutton hall 2018 ).
There it represents a metaphorical “worm” who is about to
be placed on a curved “fishhook” shape as drawn just above.
Our
crop-artist friend therefore seems to be a “fisher of men”, who is using
these and other beautiful crop pictures as “worms” for his spiritual
“bait”.
Who made
this new crop picture at Pancake Plantation in two phases on July 1 then
August 19, 2018? A study of the broad landscape nearby suggests that it
may have been a “Christian angel”
A broad view
of the landscape near Pancake Plantation reveals the clear and lucid
image of an tall, standing “angel“ on the right, who is “reaching out
his big hand” to a small boy some distance away on the left (outlined in
yellow). That small boy is “holding
up a cross” to ask the angel for help:
What is
truly amazing about this field image is that the crop picture (outlined
by a small red square) lies precisely on
the upraised “first finger” of a large “angel” shape in the landscape!
What are the chances that such a precise field alignment could happen
accidentally, if it had been made by unseen men with rope and boards?
It is also
amazing this large shape of an “angel” in the landscape lies
approximately over the small English town of Holybourne, and its Church
of the Holy Rood, which has a “clock” on one side (see
Holybourne). The word “Holy-bourne”
suggests a phrase “Holy Born”
which might be applied to either angels or Christ (see
www.youtube.com).
Peter
Sorenson once told me that he left his former job in Los Angeles to
photograph “crop circles”, because he was sure that they were being made
by “angels”. Thank you, Peter, you seem to have been correct!
“Everyone
who calls
on the name of the Lord will be saved.”
---Joel 2:32 or Romans 10:13
In summary,
this new crop picture and its associated landscape imagery seem to
illustrate a famous passage from the Jewish and Christian Bibles, which
was meant to reassure followers of Christ that they would be kept safe
even during an apocalypse, if they were to call for help while holding
up a cross:
A recap of
important facts about the Pancake Plantation crop picture, its landscape
“angel” imagery, and its precise geometry
This new
crop picture at Pancake Plantation (outlined in the slide above by a
small red square) was drawn precisely
along the “first finger” of the outstretched “hand” of a tall, standing
“angel” shape in the landscape, near the small English town of
Holybourne. It shows a “Star of David” motif around the outside, plus a
small “burnt lamb” or “Agnus Dei” motif near its centre.
This “angel”
is wearing two different “rings”. One ring on his second finger appears
naturally in the landscape, and reads “Luv!! 3” which might mean
“Love!!” in “3” units of time. The other ring on his first
finger was created by the new crop picture at Pancake Plantation. It
shows two Jewish and/or Christian symbols, namely a large outer “Star of
David” and a small inner “Lamb of God” motif.
In
order to create this new crop picture in a geometrical sense, first that
“Star of David” (and its central image of a “lamb”) had to rotate
away from the “second finger” of the “hand” of the landscape
“angel”, clockwise by +45o, in order to reach his “first
finger”, and become another “ring” there. Both the “Star of David” and
its inner “lamb” motif still lie precisely aligned with one another at
this point, showing 0o of rotation between them.
Next this
“Star of David” motif must rotate locally in its own frame of reference
by another +45o clockwise, while the central “lamb” motif
remains stationary. This second kind of rotation allows one of the six
“points” from that “star” to become aligned with another “ring” on the
angel’s “second finger”, some distance away, which reads “Luv!! 3”.
Another of its six points likewise becomes aligned with the long axis of
the angel’s “second finger” (and points toward the northwest).
The total
amount of rotation for that “star” is therefore +45o relative
to a central “lamb” motif nearby, or +90o relative to the
long axis of an angel’s “second finger” in the distance. Any rotation by
+90o around a 12-hour clock may be read as a change by +3
units of time, for example from 12 noon to 3 o’clock in the afternoon.
This seems also to be what the “Luv!! 3” landscape image is
implying by its number “3”.
One side of
a “triangle” from that “Star of David” was given a slight inward
curvature, to make it point in the same direction as the angel’s “second
finger”. This crop picture was drawn along the side of a dip in the
landscape (see
www.youtube.com), which makes some aerial photographs appear
slightly asymmetric.
Modern crop
pictures might be likened to “spiritual bait”, meant to catch humans on
Earth, and drawn by a “fisher of men”
Just below
the “burnt lamb” motif in its flattened centre, this crop picture shows
the small, S-shaped image of a “worm”, which was drawn
also in another crop picture near Sutton Hall on June 30, 2018. At
Sutton Hall that “worm” motif was drawn just below a “fishhook” shape in
crops, to suggest that the crop artist is a “fisher of men”.
A similar
meaning might apply to its appearance for a second time in 2018, at
Pancake Plantation on August 19. These and other beautiful crop pictures
might be likened to “spiritual bait”, meant to help “catch humans” on
Earth, and drawn by some “fisher of men”. Our current conception of crop
pictures as a form of “alien communication” thus does not seem entirely
accurate. They are more like “advertisements” for the beauty and
desirability of a new way of life, to replace our widespread hatreds,
politics and wars.
Red Collie
(Dr. Horace R. Drew)
P.S. Many
thanks to Nick Bull and the Hampshire Flyer for capturing drone videos
of this important crop picture, just before the field was harvested. |