CROP CIRCLE VIDEOS

My video of the 1998 English crop circles has aerial shots of nearly every formation in Wiltshire and Hampshire, featuring the spectacular seven fold fractals, the "Beckhampton Star Mandala" and the controversial "Queen."

You’ll see ground shots of many formations, including the remarkable "braiding" found in several circles, such as the Queen – and the astonishing figure-eight birds-nest centers in the little circles around the Tawsmead Copse fractal.

There are many other interesting bits, such as clear, close-up shots of "magically bent" stalks I found in three formations.

And, just for fun, you’ll see my carving of the 1996 "Double Helix" (which weighs a good ton!) being placed in front of The Barge Inn pub -- I’m very proud of that!

The tape is an hour and five minutes long. It does not have narration, but there is a printed shot-sheet which identifies everything. At the moment it is available only in the NTSC (American-type) format, but I will have it available in the (British) PAL format soon after I arrive in England at the end of April.

If you want the NTSC version I must receive your order by mid-April, before I leave for the summer (Peter Sorensen, 1115 E. Cordova # 219, Pasadena, CA 91106 USA). The PAL version will be for sale at the pub soon after I’m there (write to me care of The Barge Inn, Honey street, Pewsey, Wilts. SN9 5PS England).

The cost for either version (shipping included) is $30 or £15, payable by cash or check in either U.S. dollars or British Sterling.

My two-hour video of the 1992 to 1994 circles, "Humanity’s Wake-up Call" (available only in NTSC) costs $35/£25.

My two-hour 1995 video, "Crop Circle Country" (also available only in NTSC) costs $35/£20.

My 1996 and 1997 videos (one hour each) are currently out of "print." I will copy them by hand as needed (NTSC only), for the exorbitant fee of $50/£25.

Information about my diagrams and other articles for sale will be up on this page shortly.

 


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Peter is having difficulty keeping up with his email. He does read them all and, is very grateful for all comments and criticism.

Peter Sorensen

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