Hackpen Hill - The White Horse 

Is it just me, or does the latest crop circle represent yet another warning; indeed, an apocalyptic warning involving both our beloved earth and sun, together?

I cannot help but note that, during the past two years, the circle-makers seem to have reduced and simplified their messages, as if to underscore the urgency of unfolding geo-solar developments; it seems the time for action, rather than conjecture, is rapidly approaching if not already here.

Looking down upon this crop circle one sees clearly a large circle, or circular band, enclosing five disks of apparently equal size, four in a square linked by arcs, which seemingly revolve around the fifth disk, at the center. What to make of it? Is this very precise formation suggestive of things mathematical or geometrical? Could anyone disagree?

But of course, there's more. The many hundreds of crop circles laid down over decades if not centuries reveal the circle-makers' impressive wealth of knowledge, which spans the Liberal Arts, from mathematics and geometry, to history, to philosophy to geology, to geography, to physics, to esoterica and so much more; and their compositions display striking technical skill, precision and beauty (phi), which none dare gainsay!

Yet, in the midst of the English countryside, have they ever revealed a message in 'plain English'? (Binary or hexadecimal code, perhaps; but never plain English!) . . . as if delighting in puzzles, challenging the viewer to develop an overall solution (or multiple parallel solutions; thus, hinting at latent alternative realties awaiting quantum 'superposition collapse'?!?) based upon the integration of received wisdom with 'experiential learning'—direct personal knowledge derived from conscious mind-integrated analysis of sense-data; sometimes called 'gnosis'.

Is it merely the artists prerogative to site this eye-catching formation directly below the White Horse, a "Victorian folly" . . . which stands out "for a mathematical reason. Measuring a neat 90 square feet, it’s the only square-dimension horse in England [emphasis, supplied]." Atlas Obscura.

Am I reading too much into this, or is the symbolism plain for all to see—a message hiding in plain sight?!

Consider that the number four and its geometric equivalent—the square—have since antiquity symbolized earth, itself; perhaps, because the number four neatly accounts for earth's seasonal changes (at least, in the mid-latitudes of the Northern Hemisphere, where this crop circle is located). But on the other hand, Revelation tells us there are four horses of the apocalypse; and the first is white!

But it gets better! "The identity of th[e] rider of the white horse has been a great source of debate. Some believe that the rider is Christ. This could make sense because He rides a white horse and wears a crown. Yet the surrounding context removes this possibility. . . . We know from scripture that he conquers the earth [emphasis, supplied]. . . . The rider of the white horse is typically associated with the Anti-Christ." 

Put another way, the white horse and its rider herald the commencement of the apocalypse—a season of earthly tyranny, which arrives, esoterically veiled in deceit.

But now, back to the formation, itself: four disks which for argument's sake, revolve around a fifth disk of apparently equal size; four disks which, arranged in a square, may well symbolize earth, or earth progressing through seasonal changes, be they climatic or esoteric or both at the same time? Is my conjecture too far-fetched? Recall that there are five disks of equal size—symbolizing what, "quintessence," the fifth essence, perhaps?

"According to ancient and medieval science, aether, also known as the fifth element or quintessence, is the material that fills the region of the universe beyond the terrestrial sphere. The concept of aether was used in several theories to explain several natural phenomena, such as the propagation of light and gravity. In the late 19th century, physicists postulated that aether permeated space, providing a medium through which light could travel in a vacuum, but evidence for the presence of such a medium was not found in the Michelson–Morley experiment, and this result has been interpreted to mean that no luminiferous aether exists [emphasis, supplied]." Wikipedia

Could a crop artist acutely well-versed in the liberal arts—a polymath, like unto Leonardo—select a more subtle, yet urgent, way of expressing a profound existential warning about material illusion, deception and deceit—which embraces the destruction of our material world, together with its follies, and the spiritual vacuity founded upon it?! It is for you, dear reader, to decide; and collectively, your and my conscious decisions may well yield the quantum superposition collapse which gestates the next age of earth. In the meantime . . .

"To everything, turn, turn, turn. There is a season, turn, turn, turn. And a time to every purpose under Heaven." Pete Seeger