The Odstone Bar Labyrinth in the New Crop Circle In the new crop circle of July 16 (following the 7/7 pattern on the date 16/07), we see at first glance a labyrinth resembling a Celtic knot with quaternary geometry. My first impression was that of a labyrinth. I chose an arbitrary starting point (red circle) and began following the paths without traversing the same trail twice. Following the route, I was able to return to the starting point in 52 movements, moving from top to bottom and from right to left. It is a quaternary symbol, a geometry linking four systems together, as we have already seen in previous crop circles (2025, May 15, at The Gallops). It appears to be an expanded version of the 2025 idea, continuing a sequence of messages: the 4D gateway of hyperspace and the key of the four elements of matter linked together in a single movement. The number 52 ÷ 4 = 13, and before us stands a magnificent reflection of Mayan cosmology. Even a distinct cross appears highlighted at the center of the labyrinth. In fact, the geometric structure of the crop circle is that of a large square containing five smaller squares, with the four outer squares having their corners folded into loop-like forms, creating the impression of links or chains. The expression 4 × 13 = 52 appears in mechanisms of the Mayan calendar used to synchronize the cycles of the Earth with those of Venus. The cross is also a familiar Mayan symbol. 13 × 4 = 52 The relationship 4 × 13 = 52 is one of the best-known numerical structures associated with the Mayan calendar, appearing primarily in interpretations of the Tzolk'in, the sacred 260-day calendar. The Tzolk'in is formed by the combination of two cycles: a) Thirteen numbers (1 through 13), repeating continuously. b) Twenty day names (known as nahuales or glyphs). These two cycles progress simultaneously. Since 13 and 20 are relatively prime, a specific combination repeats only after 13 × 20 = 260 days. The expression 4 × 13 = 52 arises because 52 days correspond to four complete cycles of 13 days, known as trecenas. Since the Tzolk'in contains 260 days, it can be divided into: Five groups of 52 days (5 × 52 = 260), or Twenty trecenas (20 × 13 = 260). This division into five 52-day periods is used by some scholars and by several contemporary traditions to organize the calendar into five "seasons" or energetic cycles, although this arrangement is not considered as fundamental as the division into twenty trecenas. Furthermore, the number 52 has an even greater significance in Mayan chronology: Fifty-two solar years correspond to the so-called Calendar Round. This is because: the solar year (Haab') contains 365 days; the Tzolk'in contains 260 days; the same combination of a Tzolk'in day and a Haab' day repeats only after 18,980 days, equivalent to 52 Haab' years. Thus, the number 52 appears in two different contexts: 52 days = 4 × 13, a subdivision of the Tzolk'in into blocks of four trecenas. 52 years, the great cycle in which the Tzolk'in and the Haab' coincide once again on the same date combination. Therefore, this labyrinth appears to conceal an identity related to the Mayan calendar, and its coded meaning may be the deciphering of the key of time in order to reach parallel dimensions, especially the fourth dimension. The idea of a complete great cycle is also suggested here (the year 2026, with the value 26 = 52 ÷ 2). Other Numbers A larger square containing five smaller squares is laid out on a 7 × 7 grid, producing 49 quadrilateral cells. Once again, the 7/7 pattern (the duplication of seven) appears. This reminded me of the crop circle of June 28, 2007, depicting a secret chamber resembling Leonardo da Vinci's Last Supper, featuring seven doorways, seven ceiling beams, and a floor divided into 7 × 7 squares. Within the labyrinth's structure, I identified the numbers 6 and 9 at its extremities and also around the center of the formation, surrounding the cross. Numerically, 6/9 symbolizes Yang and Yin, representing the flow of complementary polarities. This corresponds to the same concept as the 7/7 duality observed in previous crop circles, where 7 represents the maximum scale of energy, while 2 symbolizes the polarization necessary to generate flow and movement. It evokes the image of serpents moving along the labyrinth's paths, reminiscent of the paired serpents found on pre-Columbian monuments such as the Pyramid of Kukulkan, the Gate of the Sun at Tiwanaku, and the Aztec Sun Stone. When the crop circle is rotated, the numbers 6 and 9 alternate with one another. In Kabbalah, Six corresponds to the order of the Sun, while Nine corresponds to the order of the Moon. Sun and Moon... the solar eclipse of August 12, 2026... portals and alignments... the movement of the energy of the four classical elements merging into the fifth element—ideas that seem interconnected throughout the message conveyed by this series of crop circles. Within the image, the number 6 appears twice, and the number 9 also appears twice, alternating (6 becomes 9, and 9 becomes 6) as the image is rotated. Indeed, the 6/9 motif resembles the movement of the twin serpents found on those pre-Columbian monuments, combining the symbolism of calendars and portals. A vision of Mayan cosmology extending far beyond what contemporary science presently recognizes. (6 + 9) = 15 (15 × 4 = 60) Interestingly, 60 circles of varying sizes were incorporated into the enigmatic Zeals Knoll crop circle on July 5, 2026. P.S.: A swastika can be derived from the intersecting lines at the center of the crop circle, reinforcing the concept (4x13 = 52) of the movement of energies (the four elements and the fifth element) in the design of an energy key to the fourth-dimension gateway—a concept widely explored in the past under the name VRIL. JP — July 16, 2026 The Mayan Calendar Key to Solving the Labyrinth Enigma On the same day, on my profile, I requested crop circles containing coded messages, as in the past, and they appeared that very same day. Beyond its Maya/Pre-Columbian ornamental style, this crop circle strongly resembles the design of the Etruscan labyrinth of Tragliatella (7th century BC). Time itself is the greatest labyrinth imprisoning all souls incarnated in this world, and every turn of that labyrinth is one cycle laid upon another, like the links of a chain that no one can break—or a labyrinth from which no one can escape. The key to time embedded in the Mayan calendar, centered on the formula  13 × 4 = 52, offers a solution within a cosmology that seeks to synchronize all cycles into one supreme cycle, thereby revealing the gateway to the Day Out of Time (July 26). If the heavenly bodies govern the cycles, and if the combined cycles govern time itself, then the key to the mechanism must necessarily be related to them. The principal code presented here connects the cosmology of the Mayan calendar with the opening of portals into the fourth dimension. This idea is illustrated in a remarkable way by the Aztec Sun Stone, where the glyph 13 Acatl appears above the two serpents—the eternal flow of time in constant motion—and above the concentric circles centered upon the Sun god Tonatiuh. When the mysterious alignment occurs, Tonatiuh opens his mouth and extends his tongue, symbolizing the activation of the Sun's energies at the end of each Great Race. The four previous races are represented by the four suns surrounding Tonatiuh at the center. That 13 Acatl glyph at the top—the thirteenth seal of the Mayan calendar—is closely associated with the concept of tunnels or alignments, through the symbolism of the reed as a conductor of water. It expresses the understanding of time as energy in motion, and that this current can be redirected, revealing passages into dimensions that exist beyond time itself—the fourth dimension. There is also a striking visual and structural relationship between yesterday's crop circle at Odstone Barn and a structurally similar formation at Cheesefoot Head from 2012—the year marking the completion of the Mayan Long Count calendar—suggesting a solution to the labyrinth represented here. Before continuing, a few general remarks about Odstone Barn, the location of the crop circle. Nearby stands the megalithic tomb of Wayland's Smithy, approximately 5,600 years old. It is also close to the hillside where, once again, stands the Uffington White Horse. For the third time, we find a crop circle appearing near one of these ancient monuments, of which many are scattered throughout England. The Uffington White Horse is one of England's most extraordinary prehistoric monuments. It is a gigantic geoglyph carved into the slope of a chalk hill, formed by trenches filled with white chalk to create a stylized horse approximately 110 meters long. Dating from the late Bronze Age or early Iron Age—roughly between 1380 and 550 BC—it is regarded as the oldest White Horse monument in Great Britain. Odstone Barn thus becomes part of a remarkable corridor of prehistoric monuments. Within only a few kilometers are found: Wayland's Smithy White Horse Hill Dragon Hill Uffington Castle The Ridgeway The Mayan Calendar Code Everything seems to be pointing toward the coming July 26, because this is the Green Day, the Day Out of Time in the Mayan calendar, according to the same numerical value of 52 applied to the solar year: 52 weeks = 52 × 7 = 364 days (+1: the Green Day, the Day Out of Time, completing the 365-day year). The four waves of Earth's elemental energy—the four classical elements—intertwine and spiral into a vortex centered upon the Fifth Element, VRIL, represented by the solar swastika associated with the INRI inscription of Christ's Cross (which also appears at the center of the crop circle). This symbolizes an alchemical Hermetic code for the Fifth Element governing all transformations of matter. Planetary Alignments Once again, the crop circle appeared alongside significant planetary alignments (on July 16 and 17), the most important being the Moon–Venus conjunction in Virgo. Many people speak of a planetary alignment on July 17, but this is technically inaccurate. A planetary grouping is not the same as a planetary alignment. The bodies truly aligned in the sky on that day are the Moon and Venus in Virgo (within the constellation of Leo). What is particularly noteworthy, however, is the formation of a half-hexagon among several planets: Jupiter (Leo) // Mars–Uranus (Gemini) // Neptune (Aries) // Pluto (Aquarius) This is an exceptionally powerful and harmonious configuration because of the geometric relationships involved—primarily sextiles and trines. As discussed previously, planetary alignments (such as the upcoming August 12 total solar eclipse) have often been associated with the generation of dimensional portals. Thus, an intriguing clue points toward the coming July 26. Indeed, in previous years, the period between July 25 and 26 has repeatedly produced remarkable and highly significant crop circles. This may well be the occasion for a new installment of the message to be delivered to the world. o-labirinto-do-tempo-no-novo-crop-circle-2026 JP — July 16, 2026  The Concept of Time and the Infinite Knot This square Celtic-knot-style crop circle bears the pattern of an infinite knot, that is, a sequence of interwoven folds with neither beginning nor end. I traced 52 continuous paths through this design without repeating a single route, starting from an arbitrary point (1–52). The infinite knot, in any form, is a geometric or artistic motif made from a single continuous line that weaves back upon itself, with no apparent beginning or end. Across many cultures, it symbolizes continuity, eternity, unity, and the cycles of existence. This is the very concept of time: when one day ends, another begins immediately afterward. Furthermore, according to ancient Mayan cosmology, time is a parallel dimension expressed as energy in motion beneath the combined, interwoven cosmic cycles. This is another fascinating concept of time associated with the symbolism of the infinite knot. Modern Einsteinian physics associates time with the fourth dimension, which is a remarkable insight. Time is dimension; it is energy in motion (cycles). But if cycles are closed upon themselves (the infinite knot), where and when can they be broken? Where is the Door of Time, the Green Day, that grants access to the parallel dimension where time no longer revolves as it does here on the 3D plane? Every door requires a key, and that key was revealed on July 11, 2026, at Roundway Hill. The Code 72: two waves (2) of energy at their highest degree (7) collide with one another, creating a central rupture that identifies a portal. The Time Code 72 Yes, we live confined within the 7-and-2 matrix of time (the seven days of the week, with days and nights succeeding one another). The Earth positions itself on one side relative to the Sun, and that is day. The same Earth positions itself on the opposite side relative to the Sun, and that is night. The Mayan calendar and the highly advanced cosmological concepts of the pre-Columbian peoples approached the question of time far beyond the limited metric of the official Gregorian calendar. The Door of Time and the scissors that sever the infinite knot are connected to a mechanism of energy capable of linking us directly to the fourth dimension. This is what the Maya taught, and what numerous crop circles have been reaffirming for decades. P.S. The Odstone Barn crop circle appeared beside a local farm building, and a small crop circle was added to the landscape.  Notice that the crop circle and the barn are aligned, suggesting that an additional layer of meaning has been incorporated into the message. What is kept inside a farm barn?  Planting tools, vehicles, fertilizers, agricultural supplies, and perhaps seeds.  Everything related to the crops and cultivation being carried out on that land.  The first idea conveyed by the message concerns the care that the Earth's spiritual harvesters are taking with the seeds that have been planted and are already bearing fruit—seeds they are preparing to harvest according to the Father's command.  This interpretation is consistent with the crop circle's themes of time, cycles, portals, the arrival of new energies, and the coming of the "King."  For the Angels sent by Him to the four directions of the Earth for the spiritual harvest move and flow through the same four elemental energies that are linked together like an infinite knot, operating through the departure and return of the fifth element, their original matrix.  JP — July 17, 2026 Connections: The 2026 crop circle and the message of an ancient petroglyph This "Labyrinth" petroglyph in House Rock Valley, Arizona, USA, features a maze remarkably similar to the one depicted in the crop circle that appeared at Odstone Barn, UK, on July 16, 2026. Petroglyphs of this type are common across the Americas—artistic expressions where early peoples recorded their messages, myths, and visions of the heavens. They served as the books and paper of their time, a medium for immortalizing their teachings and sightings. Here, we see a strange entity—an alien or perhaps a shaman-priest of that culture—standing before the labyrinth alongside a coiled, two-headed serpent. This is the central mystery, seemingly linked directly to the labyrinth: every labyrinth implies a riddle, and the riddle here undoubtedly lies in this coiled, two-headed snake. The spiral is a universal symbol of time in motion, representing cycles and the transformations they entail. The serpent also alludes to cyclical transformation, particularly through the symbolism of its frequent shedding of skin. Yet this serpent has two heads, representing the polarization of energy and the very concept of time—day and night, for instance. Interestingly, in a completely different context—ancient Crete, the Greek island famous for its labyrinths—the symbol most often associated with them was the double-headed axe (or double-bladed axe). In fact, the word "Labyrinth" derives from this; the symbol of the double-bladed axe is known as the *Labrys* (or *Labrys* in Greek). It was the principal sacred artifact of the ancient Minoan civilization on Crete, frequently associated with female deities and religious rituals. Like all the heroes of old who had to enter the labyrinth armed with special weapons (such as Theseus and the Minotaur in the Cretan labyrinth), the double-bladed axe connects to this two-headed serpent as a weapon or mechanism necessary to conquer the labyrinth. And the greatest labyrinth of all has no walls or structures; it is invisible, and it imprisons all beings within its endless cycles. Time. JP — July 21, 2026

The Maze petroglyph, House Rock Valley, Arizona compares New Crop Circle in Oxfordshire