A small but delicate crop picture which was found near Tarlton in
Gloucestershire on April 18, 2017 shows no mechanical damage to its
plants whatsoever, and resembles another crop picture which appeared
near Cherhill in Wiltshire on April 17, 2017
A new crop picture which was found near Tarlton on April 18, 2017 (it
may have been there earlier) is quite important, because it shows no
mechanical damage whatsoever to many “contrasted” plants of yellow
oilseed rape (see
Tarlton or
www.youtube.com or
www.youtube.com). In other words, there
were no “rope and boards” used anywhere in its construction! The
sceptics or debunkers of “crop pictures” will thus have no possible
explanation for its means of formation or appearance.
This new Tarlton field picture of April 18, 2017 resembles a crop circle
“ghost”
How then was the new crop picture made? Two small regions of
“contrasted” crop are shown below, with high-resolution photographs
courtesy of Matthew Williams. By studying his first photograph, we can
see that the density and/or growth rates of yellow oilseed rape plants
are significantly less for a “large circle” within its “lunar crescent”
motif, than elsewhere in unaltered crop nearby:
Likewise by studying his second photograph, we can see that the density
and/or growth rates of yellow oilseed rape plants are significantly less
for a “thin circle” which surrounds its “lunar crescent” motif on all
sides, than for other unaltered planets nearby:
In summary, no grown plants of yellow oilseed rape were mechanically
altered or “flattened” at Tarlton in any way. Instead, the density
and/or growth rates of intact plants were reduced in small regions of
“contrast”, relative to normal unaltered plants nearby. Perhaps those
small regions of “contrast” were irradiated with some kind of energy, or
dosed with some kind of chemical, many months ago during winter, so as
to produce the well-defined set of images which we now see in a field
near Tarlton on April 18, 2017?
This may be similar to the mechanism by which “image ghosts” have been
reported for some crop pictures, in the spring or summer following their
original year of appearance (see
www.margheritacampaniolo.it
or
www.abovetopsecret.com).
The new crop picture near Tarlton on April 18, 2017 resembles another
crop picture near Cherhill on April 17, 2017
This interesting new crop picture, which was found near Tarlton on April
18, is also important for another reason: because it resembles
stylistically a much-larger crop picture which appeared near Cherhill on
about the same date of April 17 (see
cherhill 2017).
That Cherhill crop picture was interpreted symbolically as the “swinging
pendulum of a clock” (see
cherhill articles).
How exactly does the crop picture near Tarlton on April 18 resemble
another crop picture near Cherhill on April 17? We can easily identify
two points of close resemblance. First, the “lunar crescent” motif which
was drawn in crops at Tarlton seems practically identical to another
“lunar crescent” motif which was drawn in crops at Cherhill:
Also “three long lines”, which may be seen in the landscape just above
the crop picture at Tarlton, closely resemble “three long lines” which
were drawn in crops at Cherhill, just above its “lunar crescent” motif.
These have been marked with three white, dashed lines in the slide below
(aerial photograph by Hugh Newman):
Thus these two crop pictures seem to be closely related to one another,
and were made perhaps by the same unseen artist (or group of artists).
As a corollary, the Cherhill crop picture could not plausibly have been
made using “rope and boards”, because the Tarlton crop picture was made
by non-mechanical means.
What might the new crop picture at Tarlton signify in astronomical
terms?
We can see at Tarlton the image of a “three-quarter-phase lunar
crescent”, along with two smaller circles (in standing crop far from
tramlines) which might be intended to represent “bright planets” or
“stars”. Several possible Moon-planet-star alignments, which seem to
match these astronomical features of the crop picture, are shown below:
In one case, we can see a partial resemblance to the night-sky image of
a third-quarter-phase Moon near Jupiter and Spica on April 11, 2017. In
another case, we can see a partial resemblance to the night-sky image of
a third-quarter-phase Moon near Saturn and a nearby bright star on April
16, 2017. There might also be some resemblance to an image of our Moon
near two bright stars Castor and Pollux on May 1, 2017 (see
earthsky.org).
Why was the “lunar crescent” motif at Tarlton drawn with a rotational
offset of 30o clockwise, whereas no rotational offset was
seen for an identical “lunar crescent” at Cherhill?
As another interesting question, why was the “lunar crescent” motif at
Tarlton drawn with a rotational offset of 30o clockwise,
relative to “three long lines” in the landscape just above? That “lunar
crescent” motif at Tarlton no longer points toward “three long lines”
just above, as it did at Cherhill. Now it points toward a “row of five
large trees”, above and to the right, as indicated by a white dashed
line in the slide below:
The related crop picture at Cherhill on April 17 showed a symbolic image
of a “swinging pendulum” from a “clock”. Might this rotational offset of
the “lunar crescent” at Tarlton be meant to suggest some rotational
motion of a “pendulum clock”, away from its stationary vertical
arrangement?
We can see that “offset” alignment, between a crop-drawn “lunar
crescent” and a row of five large trees, even more clearly in a frame
taken from the drone video by Mr. Gyro (see
www.youtube.com):
What are the crop artists trying to tell us at Cherhill or Tarlton in
April of 2017?
Might the “pendulum” image which was drawn in crops at Cherhill be part
of some “lunar clock”? And are they trying to suggest a rotational
motion or “swinging” of a “lunar pendulum clock” also at Tarlton?
Why did they draw a “lunar crescent” at Cherhill so that it points
toward a nearby “white horse”? And why did they draw a “lunar crescent”
at Tarlton so that it points toward a row of five large trees in the
neighbouring field?
Might five “swings” of a “pendulum clock” imply “five monthly cycles of
our Moon”, or perhaps a much longer time of “five years”, before some
important event takes place?
“England swings like a pendulum do”
In any case, the 2017 crop-circle season has begun in a truly
spectacular fashion, midway through April, with two paired field images
that seem paranormally real, beyond any reasonable doubt.
Following the appearance of these two new crop pictures, many people are
singing an old song from Roger Miller which starts with the phrase
“England swings like a pendulum do” (see
www.youtube.com), and they are thinking
about a famous pendulum for “Big Ben” at the Clock Tower in London (see
www.youtube.com).
Red Collie
(Dr. Horace R. Drew)
P.S. Many thanks to Mr. Gyro and Hugh Newman for aerial photographs, or
eyewitness accounts of the new crop picture at Tarlton. |