A crop
picture at Nursteed Farm on August 17, 2016 shows a special version of
Metatron’s Cube which has been overlaid with “Pacman” or “peace”
symbols. Nearby in the landscape, we can see other features which
complete a “night sky triangle” of Antares, Mars and Saturn on August
26, 2016. On a broader scale in the landscape, we can see an “angel” who
is watching a “ship fall off the edge of a cliff”, while it toots out a
message of warning with its “foghorn”.
“Metatron’s
Cube” is a well-known shape from sacred geometry. It has been drawn many
times before in crops (see
time2012b or
fringe2014y). In this new example, they modified its shape slightly
so as to emphasize outer symbols for “Pacman”, and inner symbols for
“peace”.
We will try
to understand below why they made this choice. What are they thinking?
And what are their subtle messages for us all?
The crop
artists drew a special version of Metatron’s Cube at Nursteed Farm on
August 17, 2016, made of “Pacman” symbols and “peace” signs
Those outer
“Pacman” symbols might also be meant to represent “lunar crescents”.
There was a
full Moon on August 17, 2016, which was the date when this crop picture
appeared. The next crescent Moon will be on August 26, 2016, which is a
date coded astronomically in the landscape nearby (see below).
A similar
“lunar crescent-central dot” motif was drawn in crops at Wilton Windmill
on July 15, 2016 (see
wilton windmil l2016)
Will there
be a serious threat soon to world peace?
Once we
remove some background lines, this crop picture seems to show six
“Pacman” symbols, who are preparing to surround and bite six “peace”
symbols!
A single
“peace” symbol was drawn in crops on June 16, 2015 at Stanton St.
Bernard, in an apparent response to a series of terrorist attacks in
Paris (see
devizes road 2015). Might the crop artists be warning us about some
similar war-like event in the near future?
Several
landscape features nearby resemble a partial map of the night sky for
Antares, Mars and Saturn on August 26, 2016
You can see
various images of the Antares-Mars-Saturn night sky “triangle” here (see
mars-and-saturn-put-on-a-show). We used an on-line computer program
(see
yoursky) to determine that the astronomical date drawn in crops
(plus landscape symbols nearby) is close to August 26, 2016.
Metatron’s
Cube in this case represents the planet “Saturn”, which seems
appropriate because there is a large and fluid “hexagon” shape at the
north pole of Saturn in real life.
Jupiter,
Venus and Mercury also formed “night sky triangles” on August 17 or 26,
2016. Yet the shapes of those other “triangles” were mirror images of
the Nursteed crop-landscape arrangement, so they seem less relevant.
Why was
Metatron’s Cube drawn in crops then and there? Probably because two sets
of “planetary symbols” from a crop picture at Nursteed Farm on August
17, and a crop picture at Etchilhampton on August 8, may be joined to
form a “hexagon”
Two
triangles, when joined together along one of their edges, quite
naturally will form a hexagon!
The first
set of planetary symbols was drawn in crops at Etchilhampton on August
8, and showed Antares, Mars and Saturn for August 22 (see
Etchilhampton articles).
The second
set of planetary symbols was drawn in crops at Nursteed Farm on August
17, and showed Antares, Mars and Saturn for August 26. Those three
night-sky objects will create a “straight line” in Earth’s sky on August
24. So the two crop-drawn dates of August 22 or 26 lie equally far to
either side of that “straight line”, as Mars moves past and between
Antares and Saturn.
A second set
of planetary images was drawn in crops on August 17, which is 9 days
past the first set of planetary images on August 8. The coded date from
that second set of planetary images was August 26, which is another 9
days into the future.
When we
consider that the first set of planetary images on August 8 included two
“ghost” crop pictures from August of 2015 (on days 3 or 19, adding to
22), then we begin to understand the long-term planning and scope of
these paranormal “crop pictures” more clearly!
Very few
crop pictures are made using “rope and boards”. They also seem to be the
result of long-term, careful planning through time. There is no doubt
about either of these general conclusions. You can take them as a
well-evidenced “scientific facts”.
A broad
landscape image shows a “man” who is looking at a “large city” (Devizes)
On a
somewhat broader scale in the landscape, close to Nursteed Farm, we can
see the schematic image of a “man” who is looking wistfully at a “large
city” nearby. In this case it happens to be the English city of Devizes,
but metaphorically it could be meant to represent some other city,
somewhere else?
Earlier this
summer on July 16, 2016, within the “head” or “mind” of that “man” in
the landscape, the crop artists drew a simple “circle and dot”, in order
to suggest that he was “thinking about triangles” (see
wessex ridgeway 2016a or
wessex ridgeway comments).
To
understand the subtle messages which those crop artists are
communicating to us, we have to follow and study a whole series of
different crop pictures and their landscape locations over an entire
summer season, or even over several years. Just looking at a single crop
picture is seldom sufficient to decipher their messages accurately.
The flipped
landscape shows an “angel” who is looking at a “ship fall off a cliff”,
while it blows a “foghorn” as a message of warning
When we flip
this landscape over by 180o, and look at It from a different
perspective, then we find another amazing landscape image as shown
above. Who might this “angel” be, and why is he watching a “ship” fall
off the “edge of a cliff”?
The crop
artists drew an image of “Metatron’s Cube” just below that “ship” in the
landscape, so we might wish to consider the angel “Metatron”? (see
Metatron) He was a normal Earth human long ago by the name of
“Enoch”, and a great architect of the pyramids. Yet later he found
favour with heavenly visitors and was “taken up by God” (see Genesis
5:24 on
Genesis).
If we study
this landscape image very closely, we can see two other interesting
features. First, that “ship” is blowing its “foghorn” as it falls over
the edge of the cliff (see
www.youtube.com). Clearly the captain of the “ship” is navigating in
a “fog”, and has no idea how much danger looms ahead! This is an obvious
metaphor for “time”.
Secondly,
the new crop picture creates “three dots” in a field halfway down that
“cliff”, while near the top of the “cliff”, we can see “three long
dashes” as a natural part of the landscape there. Was the crop artist
trying to suggest a standard naval message of distress as “S (three
dots) – O (three dashes) - S (three dots)” in Morse code?
Indeed, are
we humans on Earth that metaphorical “ship in distress”? Are our
“captains“ or leaders sailing us through a “fog”, and about to cause us
to “fall off a cliff”?
Six amazing
crop pictures have appeared so far in southern England during August of
2016
What an
amazing crop picture at Nursteed Farm on August 17! It was just as good
as the “Mothership Glass” crop picture on August 12 near Ansty (see
Ansty 2016), or a highly-woven “isocursal hexagram” on August 8 near
Etchilhampton (see
Etchilhampton 2016), or three other crop pictures earlier in August
(see
August 2016).
To the best
of my knowledge as a long-term professional scientist, none of those six
crop pictures were made by local people using “rope and boards”. Such a
high and advanced level of picture-making, by friendly visitors not
native to our space and time, suggests that open contact with these
visitors may lie not too far in our future.
Two
excellent drone videos (see
www.youtube.com or
www.youtube.com) show a large “off centre” circle of flattened crop
at the centre of the Nursteed Farm crop picture. This striking feature
could not possibly have been made using rope and boards, because any
hypothetical “rope” would have to keep changing its distance away from a
hypothetical central “pole”.
Six “lunar
crescents” around the outside may refer to a crescent Moon on August 26,
2016, which is also the “sky date” for Saturn, Mars and Antares coded in
the landscape nearby. While watching these wonderful drone videos, I
felt that the Nursteed Farm crop picture might be entitled “Peace
Surrounded”.
Red Collie
(Dr. Horace R. Drew, Caltech 1976-81, MRC LMB Cambridge 1982-86, CSIRO
Australia 1987-2010)
P.S. We
would like to thank Hugh Newman and Matthew Williams for aerial
photographs, plus Michael Romeo for computer-generated images of the
night sky. |